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Hailed by Opera News Magazine as "superb," and "show-stealing," baritone Igor Vieira made his professional début in his native Rio de Janeiro at age 17 singing the role of Le Dancaïre in Bizet's Carmen.
Subsequent roles have included Dulcamara in Donizetti's L'elisir d'Amore, Eisenstein in Strauss' Die Fledermaus, the title role in Mozart's Don Giovanni, Ford in Verdi's Falstaff, and Lescaut in Puccini's Manon Lescaut.
Mr. Vieira has sung 47 different operatic roles with such companies as the Teatro Municipal of Rio de Janeiro, the Amazonian Opera Festival, the Belém Opera Festival, Opera du Villecroze, Lyric Opera of Kansas City, Opera Theater of Philadelphia, West Bay Opera, Berkeley Opera, San Francisco Lyric Opera, Fremont Opera, Rimrock Opera and Festival Opera - Walnut Creek.
He was a world finalist of the 1995 Luciano Pavarotti Voice Competition in Philadelphia, and a recipient of the Margareth Tudor Award (Princeton) for two consecutive years and the Kaplan Foundation Award (Kansas City) for outstanding artistry.
In concert and oratorio Mr. Vieira has performed as baritone soloist in Händel's Messiah with the Rutherford Symphony in Vermont, Fauré's Requiem with the Orchestre du Provence in Villecroze, France and Orff's Carmina Burana with the National Symphony in Bogotá, Colombia.
Mr. Vieira holds a Bachelor's Degree in Music from the Westminster Choir College in Princeton, New Jersey, and a Master's Degree in Voice Performance from the University of Missouri-Kansas City.
While in Kansas City, Mr. Vieira was a member of the Lyric Opera of Kansas City Young Artists Program, singing in more than 12 different productions.
Theseus | A Midsummer Night's Dream | Festival Opera/Walnut Creek (USA) | 2008 |
Mr. Peachum | The Three Penny Opera | Santa Cruz Orchestra (USA) | 2008 |
Valentin | Faust | Amazonian Opera Festival (Brazil) | 2009 |
| As Tomsky in Pikovaya Dama - 2008: | |||||||
"Igor Vieira as Tomsky specially contributed to this fine ensemble piece" | |||||||
The San Francisco Classical Voice - Janos Gereban | |||||||
"Igor Vieira did an splendid job as Tomsky." | |||||||
The Palo Alto Weekly - James Kirby | |||||||
| As Schaunard in La Bohème - 2007: | |||||||
"Igor Vieira's high, bright baritone made him a perfect Schaunard" | |||||||
The San Francisco Classical Voice - Janos Gereban | |||||||
| As Le Dancaïre in Carmen - 2007: | |||||||
"Igor Vieira, whose artistry has shown him worthy of far larger roles, was in fine voice as Le Dancaïre. Singing beautifully, he was not only far more animated than many of his fellows, but also overshadowed his cohort Le Remendado." | |||||||
The San Francisco Classical Voice - Jason Victor Serinus | |||||||
| As Junius in The Rape of Lucretia - 2007: | |||||||
"Vieira presented a fine voice and as usual made an impression with his versatility and commanding presence." | |||||||
Opera News Online - Jason Victor Serinus | |||||||
| As Mercutio in Roméo et Juliette - 2007: | |||||||
"Igor Vieira did a marvelous job of parsing and making sense of Shakespeare's language and was the best singer in the cast." | |||||||
The San Francisco Classical Voice - Michael Zwiebach | |||||||
"Baritone Igor Vieira was a bawdy and humorous Mercutio" | |||||||
The Berkeley Daily Planet - James Roibles | |||||||
"The best vocalizing of the night was done by Igor Vieira as Mercutio. The Brazilian baritone was so good, one really hated to see him die." | |||||||
Contracosta Times - Georgia Rowe | |||||||
| As Ford in Falstaff - 2006: | |||||||
"The highlight of the evening both vocally and dramatically was the excellent Brazilian baritone Igor Vieira. He parodied the jealous husband, Ford, with vocal mastery, and precise Italianate style. He raged and fumed over the suspected adultery of Falstaff with his wife in the most farcical manner, perfectly timing gesture, text, and music." | |||||||
The Berkeley Daily Planet - Olivia Stapp | |||||||
"A vocal standout: Igor Vieira, as Ford, had the best male voice in the cast, strong and resonant, in keeping with Ford's overbearing character. He phrased well and his showpiece aria was one of the vocal highpoints of the show. " | |||||||
The San Francisco Classical Voice - Michael Zwiebach | |||||||
"What Parks lacked, the superb Igor Vieira provided as Ford. The Brazilian baritone used his fine voice with great intelligence, thorough animation and pinpoint projection of text" | |||||||
Opera News Online - Jason Victor Serinus | |||||||
| As Angelotti in Tosca - 2006: | |||||||
"Igor Vieira (Angelotti), an excellent performer, was in wonderful voice." | |||||||
The San Francisco Classical Voice - Michael Zwiebach | |||||||
| As Timothy in Chrysalis (World Premier) - 2006: | |||||||
"Brazilian baritone Igor Vieira was a fine Timothy, his ebullience most amusing after his Hathor application " | |||||||
Opera News Online - Jason Victor Serinus | |||||||
"Baritone Igor Vieira was exuberant as Timothy." | |||||||
The Arts in San Francisco - Paul Hertelendy | |||||||
"Igor Vieira as Ellen's paramour, Timothy-dismissed by rampaging Nelle-inverts his romantic persona in a triumphant display of his own personal cosmetic branding in one of the more outrageously amusing theatrical coups." | |||||||
The Berkeley Daily Planet - Ken Bullock | |||||||
| As Papageno in Die Zauberflöte - 2005: | |||||||
"The star of the proceedings was Igor Vieira, whose show-stealing Papageno combined beautiful, mellifluous vocalism with a true gift for comedy. Vieira's winning physicality, which included leaps onto steps and twirls suggestive of dance or gymnastics training, was so engaging that even Moscovich's reduction of "Bei Männern" to a mechanical exercise and Papageno's other arias and duets to prosaic expressions could not undermine the baritone's magnetic performance." | |||||||
Opera News Online - Jason Victor Serinus | |||||||
"Baritone Igor Vieira is endearing as Papageno, the garrulous bird catcher." | |||||||
The Richter Scale - Judy Richter | |||||||
"From the many memorable qualities this production presented, the superb comic timing of Igor Vieira's Papageno linger most in memory." | |||||||
The Tri-Valley Herald - Keith Kreitman | |||||||
| As Theseus in A Midsummer Night's Dream - Lyric Opera of Kansas City - 2004:
"Igor Vieira's potent, forward tone was perfect for Theseus." Opera News Online - Scott Cantrell
| As Lamparilla in El Barberillo de Lavapiés - 2004:
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| "This composer's hair-cutter is likewise as irreverent, inventive and indefatigable as the others, especially as sung by Igor Vieira, a young Brazilian baritone, who is as much at ease with the stage as he is with his singing. His opening aria, "Yo fui paje de un Obispo" (I once was a page for a Bishop) was a sly pleasure, and his later catalog of duties ("to coif, cut, and curl!") was equally comic and robust. Vieira has sung Donizetti's Dottore Dulcamara, and he obviously has brought those musical skills to this role." The San Francisco Classical Voice - James Keolker |
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Mr. Vieira as Schaunard |
Schaunard | La Bohème | San Francisco Lyric Opera | 2008 |
Guglielmo | Cosi fan Tutte | West Bay Opera | 2008 |
Schaunard | La Bohème | Fremont Opera | 2007 |
Le Dancaïre | Carmen | Festival Opera/Walnut Creek | 2007 |
Mercutio | Roméo et Juliette | Berkeley Opera | 2007 |
Tomsky | Pikovaya Dama | West Bay Opera | 2007 |
Fígaro | Il Barbiere di Siviglia | Teatro Barakaldo (Bilbao-Spain) | 2006 |
Ford | Falstaff | Berkeley Opera | 2006 |
Timothy | Chrysalis (World Premier) | Berkeley Opera | 2006 |
Lescaut | Manon Lescaut | West Bay Opera | 2006 |
Junius | The Rape of Lucretia | San Francisco Lyric Opera | 2006 |
Simone | Gianni Schicchi | New Jersey Opera Theater | 2006 |
Papageno | Die Zauberflöte | West Bay Opera | 2005 |
Dandini | La Cenerentola (cover) | Lyric Opera of Kansas City | 2005 |
Theseus | A Midsummer Night's Dream | Lyric Opera of Kansas City | 2004 |
Mercutio | Roméo et Juliette (cover) | Lyric Opera of Kansas City | 2003 |
Schaunard | La Bohème | Lyric Opera of Kansas City | 2002 |
Eisenstein | Die Fledermaus | Teatro Municipal of Rio de Janeiro | 2001 |
Don Giovanni | Don Giovanni | Rio de Janeiro City Opera | 2000 |
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Mr. Vieira as Papageno |
Bach, J. S. | Cantata #78 |
| Cantata #98 |
| Ich Habe Genug |
Brahms | Requiem |
Fauré | Requiem |
Händel | Alexander's Feast |
| Dettinger Te Deum |
| Judas Maccabeus |
| Messiah |
Mendelssohn | Elijah |
Mozart | Coronation Mass |
| Mass in C minor |
| Requiem |
Orff | Carmina Burana |
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Mr. Vieira as Guglielmo in Così fan tutte |
| Bellini | I Puritani | Riccardo | 3 |
Il Pirata | Ernesto | 3 | |
| Bizet | Carmen | Le Dancaire | 1 |
| Escamillo | 2 | |
| Morales | 1 | |
Les Pêcheurs du Perles | Zurga | 3 | |
| Britten | A Midsummer Night's Dream | Bottom | 1 |
| Theseus | 1 | |
| Demetrius | 3 | |
The Rape of Lucretia | Junius | 1 | |
| Tarquinius | 3 | |
Billy Budd | Billy Budd | 3 | |
| Debussy | Pelléas et Mélisande | Pelleas | 3 |
| Delibes | Lakmé | Frédéric | 3 |
| Donizetti | Don Pasquale | Malatesta | 2 |
Il Campanello | Ernesto | 1 | |
L'Elisir d'Amore | Belcore | 1 | |
| Dulcamara | 1 | |
La Favorita | Alfonso | 3 | |
| Gluck | Iphigénie en Turide | Orestes | 3 |
| Gomes | Il Guarany | Gonzalez | 1 |
Colombo | Colombo | 1 | |
| Gounod | Faust | Valentin | 3 |
Roméo et Juliette | Mercutio | 1 | |
| Händel | Giulio Cesare | Cesare | 3 |
| Ptolomeo | 2 | |
Rinaldo | Argante | 3 | |
Rodelinda | Garibaldo | 2 | |
| Humperdinck | Hänsel und Gretel | Peter | 1 |
| Leoncavallo | I Pagliacci | Silvio | 1 |
| Tonio | 3 | |
| Massenet | Manon | De Brétigny | 1 |
| Lescaut | 3 | |
Don Quichotte | Sancho | 2 | |
Werther | Albert | 3 | |
| Menotti | Amahl and the Night Visitors | Melchior | 1 |
The Old Maid and the Thief | Bob | 1 | |
| Mozart | Così fan tutte | Guglielmo | 1 |
| Don Alfonso | 1 | |
Don Giovanni | Don Giovanni | 1 | |
| Leporello | 1 | |
| Masetto | 2 | |
La Clemenza di Titto | Publio | 1 | |
Idomeneo | Arbace | 1 | |
Le Nozze di Figaro | Count | 1 | |
Die Zauberflöte | Papageno | 1 | |
| Poulenc | Les Dialogues des Carmelites | L'Aumonier | 1 |
| Puccini | La Bohème | Schaunard | 1 |
| Marcello | 2 | |
Gianni Schicchi | Simone | 1 | |
| Schicchi | 1 | |
| Manon | Lescaut | Lescaut | 1 |
La Fanciulla del West | Sid | 1 | |
La Rondine | Rambaldo | 1 | |
Turandot | Ping | 2 | |
Tosca | Angelotti | 1 | |
Madama Butterfly | Yamadori | 1 | |
| Sharpless | 3 | |
| Purcell | Dido and Aeneas | Aeneas | 1 |
| Sailor | 1 | |
| Rossini | Il Barbiere di Siviglia | Figaro | 1 |
La Cenerentola | Dandini | 2 | |
Il Turco in Italia | Poeta | 2 | |
L'Italiana in Italia | Taddeo | 3 | |
| Strauss, J. | Die Fledermaus | Eisenstein | 1 |
| Falke | 1 | |
| Strauss, R. | Arabella | Mandrika | 3 |
Ariadne auf Naxos | Harlekin | 3 | |
Die Rosenkavalier | Faninal | 3 | |
Salome | First Nazaren | 1 | |
| Third Jew | 1 | |
| Tchaikovsky | Eugene Onegin | Onegin | 3 |
| Pikovaya | Dama | Tomsky | 1 |
| Yeletsky | 2 | |
| Verdi | Don Carlos | Posa | 3 |
Falstaff | Ford | 1 | |
Rigoletto | Marullo | 1 | |
| Ceprano | 1 | |
La Traviata | Germont | 1 | |
| Grenville | 1 | |
| Marquise | 1 | |
| Ward | The Crucible | John Proctor | 1 |
| Putnam | 1 | |
| Wagner | Tannhauser | Wolfram | 3 |
Tristan und Isolde | Melot | 1 | |
| Weill | The Three Penny Opera | Mr. Peachum | 1 |
| Tiger Brown | 1 |
1 | performed |
2 | completely prepared |
3 | in preparation or future role |
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Mr. Vieira as Lescaut in Manon Lescaut |
| Copland | American Folk Songs |
| Fauré | Poèmes d'un jour |
| Liszt | Sonetti di Petrarca |
| Poulenc | Chansons Gaillardes |
| Ropartz | Quattre Poèmes |
| Vaughan Williams | Five Mystical Songs |
Sea Pictures | |
Songs of Travel | |
| |
| Songs By: | |
| Bellini |
| Brahms |
| Donizetti |
| Glinka |
| Liszt |
| Rachmaninoff |
| Rossini |
| Schubert |
| Schumann |
| Strauss |
| Tchaikovsky |
| Weill |
and Brazilian Art Songs | |
Festival Artist | New Jersey Opera Theater Summer Fest - USA | 2006 |
Second Place | East Bay Opera League Voice Competition - USA | 2006 |
Kaplan Foundation Award (Outstanding Apprentice) | Lyric Opera of Kansas City - USA | 2004 |
Apprenticeship | Lyric Opera of Kansas City Apprentice Program | 2002-2005 |
World Finalist | Luciano Pavarotti Voice Competition - USA | 1995 |
Andrew Kurtz, Jonathan Khuner, Barbara Day Turner, Karen Keltner, Ward Holmquist,
Joseph Illick, |
Marc Astafan, Bill Fabris, Garnett Bruce, Tim Ocel, Bernard Uzan,
Daniel Helfgot, |
Portuguese, English, Italian, Spanish, French |