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Igor Vieira - Baritone

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Photo of Igor Vieira

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Hailed by Opera News Magazine as "superb," and "show-stealing," baritone Igor Vieira made his professional début in his native Rio de Janeiro at age 17 singing the role of Le Dancaïre in Bizet's Carmen.

Subsequent roles have included Dulcamara in Donizetti's L'elisir d'Amore, Eisenstein in Strauss' Die Fledermaus, the title role in Mozart's Don Giovanni, Ford in Verdi's Falstaff, and Lescaut in Puccini's Manon Lescaut.

Mr. Vieira has sung 47 different operatic roles with such companies as the Teatro Municipal of Rio de Janeiro, the Amazonian Opera Festival, the Belém Opera Festival, Opera du Villecroze, Lyric Opera of Kansas City, Opera Theater of Philadelphia, West Bay Opera, Berkeley Opera, San Francisco Lyric Opera, Fremont Opera, Rimrock Opera and Festival Opera - Walnut Creek.

He was a world finalist of the 1995 Luciano Pavarotti Voice Competition in Philadelphia, and a recipient of the Margareth Tudor Award (Princeton) for two consecutive years and the Kaplan Foundation Award (Kansas City) for outstanding artistry.

In concert and oratorio Mr. Vieira has performed as baritone soloist in Händel's Messiah with the Rutherford Symphony in Vermont, Fauré's Requiem with the Orchestre du Provence in Villecroze, France and Orff's Carmina Burana with the National Symphony in Bogotá, Colombia.

Mr. Vieira holds a Bachelor's Degree in Music from the Westminster Choir College in Princeton, New Jersey, and a Master's Degree in Voice Performance from the University of Missouri-Kansas City.

While in Kansas City, Mr. Vieira was a member of the Lyric Opera of Kansas City Young Artists Program, singing in more than 12 different productions.

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CURRENT & UPCOMING ENGAGEMENTS

Theseus

A Midsummer Night's Dream

Festival Opera/Walnut Creek (USA)

2008

Mr. Peachum

The Three Penny Opera

Santa Cruz Orchestra (USA)

2008

Valentin

Faust

Amazonian Opera Festival (Brazil)

2009

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PRESS ACCLAIM

 
As Tomsky in Pikovaya Dama - 2008:
 

"Igor Vieira as Tomsky specially contributed to this fine ensemble piece"

The San Francisco Classical Voice - Janos Gereban

"Igor Vieira did an splendid job as Tomsky."

The Palo Alto Weekly - James Kirby
 
As Schaunard in La Bohème - 2007:
 

"Igor Vieira's high, bright baritone made him a perfect Schaunard"

The San Francisco Classical Voice - Janos Gereban
 
As Le Dancaïre in Carmen - 2007:
 

"Igor Vieira, whose artistry has shown him worthy of far larger roles, was in fine voice as Le Dancaïre. Singing beautifully, he was not only far more animated than many of his fellows, but also overshadowed his cohort Le Remendado."

The San Francisco Classical Voice - Jason Victor Serinus
 
As Junius in The Rape of Lucretia - 2007:
 

"Vieira presented a fine voice and as usual made an impression with his versatility and commanding presence."

Opera News Online - Jason Victor Serinus
 
As Mercutio in Roméo et Juliette - 2007:
 

"Igor Vieira did a marvelous job of parsing and making sense of Shakespeare's language and was the best singer in the cast."

The San Francisco Classical Voice - Michael Zwiebach

"Baritone Igor Vieira was a bawdy and humorous Mercutio"

The Berkeley Daily Planet - James Roibles

"The best vocalizing of the night was done by Igor Vieira as Mercutio. The Brazilian baritone was so good, one really hated to see him die."

Contracosta Times - Georgia Rowe
 
As Ford in Falstaff - 2006:
 

"The highlight of the evening both vocally and dramatically was the excellent Brazilian baritone Igor Vieira. He parodied the jealous husband, Ford, with vocal mastery, and precise Italianate style. He raged and fumed over the suspected adultery of Falstaff with his wife in the most farcical manner, perfectly timing gesture, text, and music."

The Berkeley Daily Planet - Olivia Stapp

"A vocal standout: Igor Vieira, as Ford, had the best male voice in the cast, strong and resonant, in keeping with Ford's overbearing character. He phrased well and his showpiece aria was one of the vocal highpoints of the show. "

The San Francisco Classical Voice - Michael Zwiebach

"What Parks lacked, the superb Igor Vieira provided as Ford. The Brazilian baritone used his fine voice with great intelligence, thorough animation and pinpoint projection of text"

Opera News Online - Jason Victor Serinus
 
As Angelotti in Tosca - 2006:
 

"Igor Vieira (Angelotti), an excellent performer, was in wonderful voice."

The San Francisco Classical Voice - Michael Zwiebach
 
As Timothy in Chrysalis (World Premier) - 2006:
 

"Brazilian baritone Igor Vieira was a fine Timothy, his ebullience most amusing after his Hathor application…"

Opera News Online - Jason Victor Serinus

"Baritone Igor Vieira was exuberant as Timothy."

The Arts in San Francisco - Paul Hertelendy

"Igor Vieira as Ellen's paramour, Timothy-dismissed by rampaging Nelle-inverts his romantic persona in a triumphant display of his own personal cosmetic branding in one of the more outrageously amusing theatrical coups."

The Berkeley Daily Planet - Ken Bullock
 
As Papageno in Die Zauberflöte - 2005:
 

"The star of the proceedings was Igor Vieira, whose show-stealing Papageno combined beautiful, mellifluous vocalism with a true gift for comedy. Vieira's winning physicality, which included leaps onto steps and twirls suggestive of dance or gymnastics training, was so engaging that even Moscovich's reduction of "Bei Männern" to a mechanical exercise and Papageno's other arias and duets to prosaic expressions could not undermine the baritone's magnetic performance."

Opera News Online - Jason Victor Serinus

"Baritone Igor Vieira is endearing as Papageno, the garrulous bird catcher."

The Richter Scale - Judy Richter

"From the many memorable qualities this production presented, the superb comic timing of Igor Vieira's Papageno linger most in memory."

The Tri-Valley Herald - Keith Kreitman
 
As Theseus in A Midsummer Night's Dream - Lyric Opera of Kansas City - 2004:

"Igor Vieira's potent, forward tone was perfect for Theseus."

Opera News Online - Scott Cantrell
 
As Lamparilla in El Barberillo de Lavapiés - 2004:
 

"This composer's hair-cutter is likewise as irreverent, inventive and indefatigable as the others, especially as sung by Igor Vieira, a young Brazilian baritone, who is as much at ease with the stage as he is with his singing. His opening aria, "Yo fui paje de un Obispo" (I once was a page for a Bishop) was a sly pleasure, and his later catalog of duties ("to coif, cut, and curl!") was equally comic and robust. Vieira has sung Donizetti's Dottore Dulcamara, and he obviously has brought those musical skills to this role."

The San Francisco Classical Voice - James Keolker

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AUDIO SAMPLES

Click on the icon or sample name below. High-speed internet connection is recommended.

Additional audio samples are available on CD. Contact Novo Artists for more information.

Sibillar gli angui d' Aletto (Händel Rinaldo - Argante).wma

03:21

3.1mb

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Photo of Boris Vieira

Mr. Vieira as Schaunard

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OPERA EXPERIENCE

Schaunard

La Bohème

San Francisco Lyric Opera

2008

Guglielmo

Cosi fan Tutte

West Bay Opera

2008

Schaunard

La Bohème

Fremont Opera

2007

Le Dancaïre

Carmen

Festival Opera/Walnut Creek

2007

Mercutio

Roméo et Juliette

Berkeley Opera

2007

Tomsky

Pikovaya Dama

West Bay Opera

2007

Fígaro

Il Barbiere di Siviglia

Teatro Barakaldo (Bilbao-Spain)

2006

Ford

Falstaff

Berkeley Opera

2006

Timothy

Chrysalis (World Premier)

Berkeley Opera

2006

Lescaut

Manon Lescaut

West Bay Opera

2006

Junius

The Rape of Lucretia

San Francisco Lyric Opera

2006

Simone

Gianni Schicchi

New Jersey Opera Theater

2006

Papageno

Die Zauberflöte

West Bay Opera

2005

Dandini

La Cenerentola (cover)

Lyric Opera of Kansas City

2005

Theseus

A Midsummer Night's Dream

Lyric Opera of Kansas City

2004

Mercutio

Roméo et Juliette (cover)

Lyric Opera of Kansas City

2003

Schaunard

La Bohème

Lyric Opera of Kansas City

2002

Eisenstein

Die Fledermaus

Teatro Municipal of Rio de Janeiro

2001

Don Giovanni

Don Giovanni

Rio de Janeiro City Opera

2000

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Photo of Boris Vieira

Mr. Vieira as Papageno

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CONCERT & ORATORIO REPERTOIRE

Bach, J. S.

Cantata #78

 

Cantata #98

 

Ich Habe Genug

Brahms

Requiem

Fauré

Requiem

Händel

Alexander's Feast

 

Dettinger Te Deum

 

Judas Maccabeus

 

Messiah

Mendelssohn

Elijah

Mozart

Coronation Mass

 

Mass in C minor

 

Requiem

Orff

Carmina Burana

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Photo of Boris Vieira

Mr. Vieira as Guglielmo in Così fan tutte

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OPERATIC REPERTOIRE

Bellini

I Puritani

Riccardo

3

 

Il Pirata

Ernesto

3

Bizet

Carmen

Le Dancaire

1

 

 

Escamillo

2

 

 

Morales

1

 

Les Pêcheurs du Perles

Zurga

3

Britten

A Midsummer Night's Dream

Bottom

1

 

 

Theseus

1

 

 

Demetrius

3

 

The Rape of Lucretia

Junius

1

 

 

Tarquinius

3

 

Billy Budd

Billy Budd

3

Debussy

Pelléas et Mélisande

Pelleas

3

Delibes

Lakmé

Frédéric

3

Donizetti

Don Pasquale

Malatesta

2

 

Il Campanello

Ernesto

1

 

L'Elisir d'Amore

Belcore

1

 

 

Dulcamara

1

 

La Favorita

Alfonso

3

Gluck

Iphigénie en Turide

Orestes

3

Gomes

Il Guarany

Gonzalez

1

 

Colombo

Colombo

1

Gounod

Faust

Valentin

3

 

Roméo et Juliette

Mercutio

1

Händel

Giulio Cesare

Cesare

3

 

 

Ptolomeo

2

 

Rinaldo

Argante

3

 

Rodelinda

Garibaldo

2

Humperdinck

Hänsel und Gretel

Peter

1

Leoncavallo

I Pagliacci

Silvio

1

 

 

Tonio

3

Massenet

Manon

De Brétigny

1

 

 

Lescaut

3

 

Don Quichotte

Sancho

2

 

Werther

Albert

3

Menotti

Amahl and the Night Visitors

Melchior

1

 

The Old Maid and the Thief

Bob

1

Mozart

Così fan tutte

Guglielmo

1

 

 

Don Alfonso

1

 

Don Giovanni

Don Giovanni

1

 

 

Leporello

1

 

 

Masetto

2

 

La Clemenza di Titto

Publio

1

 

Idomeneo

Arbace

1

 

Le Nozze di Figaro

Count

1

 

Die Zauberflöte

Papageno

1

Poulenc

Les Dialogues des Carmelites

L'Aumonier

1

Puccini

La Bohème

Schaunard

1

 

 

Marcello

2

 

Gianni Schicchi

Simone

1

 

 

Schicchi

1

Manon

Lescaut

Lescaut

1

 

La Fanciulla del West

Sid

1

 

La Rondine

Rambaldo

1

 

Turandot

Ping

2

 

Tosca

Angelotti

1

 

Madama Butterfly

Yamadori

1

 

 

Sharpless

3

Purcell

Dido and Aeneas

Aeneas

1

 

 

Sailor

1

Rossini

Il Barbiere di Siviglia

Figaro

1

 

La Cenerentola

Dandini

2

 

Il Turco in Italia

Poeta

2

 

L'Italiana in Italia

Taddeo

3

Strauss, J.

Die Fledermaus

Eisenstein

1

 

 

Falke

1

Strauss, R.

Arabella

Mandrika

3

 

Ariadne auf Naxos

Harlekin

3

 

Die Rosenkavalier

Faninal

3

 

Salome

First Nazaren

1

 

 

Third Jew

1

Tchaikovsky

Eugene Onegin

Onegin

3

Pikovaya

Dama

Tomsky

1

 

 

Yeletsky

2

Verdi

Don Carlos

Posa

3

 

Falstaff

Ford

1

 

Rigoletto

Marullo

1

 

 

Ceprano

1

 

La Traviata

Germont

1

 

 

Grenville

1

 

 

Marquise

1

Ward

The Crucible

John Proctor

1

 

 

Putnam

1

Wagner

Tannhauser

Wolfram

3

 

Tristan und Isolde

Melot

1

Weill

The Three Penny Opera

Mr. Peachum

1

 

 

Tiger Brown

1

1

performed

2

completely prepared

3

in preparation or future role

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Photo of Boris Vieira

Mr. Vieira as Lescaut in Manon Lescaut

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CHAMBER MUSIC REPERTOIRE

Copland

American Folk Songs

Fauré

Poèmes d'un jour

Liszt

Sonetti di Petrarca

Poulenc

Chansons Gaillardes

Ropartz

Quattre Poèmes

Vaughan Williams

Five Mystical Songs

 

Sea Pictures

 

Songs of Travel

 

Songs By:

 

Bellini

 

Brahms

 

Donizetti

 

Glinka

 

Liszt

 

Rachmaninoff

 

Rossini

 

Schubert

 

Schumann

 

Strauss

 

Tchaikovsky

 

Weill

and Brazilian Art Songs

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PRIZES, AWARDS AND APPRENTICESHIPS

Festival Artist

New Jersey Opera Theater Summer Fest - USA

2006

Second Place

East Bay Opera League Voice Competition - USA

2006

Kaplan Foundation Award (Outstanding Apprentice)

Lyric Opera of Kansas City - USA

2004

Apprenticeship

Lyric Opera of Kansas City Apprentice Program

2002-2005

World Finalist

Luciano Pavarotti Voice Competition - USA

1995

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CONDUCTORS

Andrew Kurtz, Jonathan Khuner, Barbara Day Turner, Karen Keltner, Ward Holmquist, Joseph Illick,
Mattias Kuntscz, James Caraher, José Luis Moscovich, José Antonio Irastorza, Luis Malheiro, David Sloss

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STAGE DIRECTORS

Marc Astafan, Bill Fabris, Garnett Bruce, Tim Ocel, Bernard Uzan, Daniel Helfgot,
David Ostwald, Andre Heller, Michael Scarola, Heather Carolo, Doug Nagel

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LANGUAGES

Portuguese, English, Italian, Spanish, French

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