David Ossenfort

David Ossenfort - Tenor

Photo of David Ossenfort

photo: John Hart

David Ossenfort he has been enthusiastically praised for his performances as concert soloist and on the opera stage in an array of leading roles including Alfredo, Edgardo, Ferrando, Nemorino, Roméo and the Baron von Eisenstein. A truly versatile artist, he has performed in the unique Heinrich Heine Doppelgänger with American Opera Projects, Stravinsky's Renard with EOS Orchestra, and in the Kennedy Center premiere of Glass' Symphony No. 5 with the Choral Arts Society of Washington, DC. He has been featured soloist in numerous concerts at Carnegie Hall.

Last season, Mr. Ossenfort appeared with Three Tenors: A New Generation and sang his first Don José in Peter Brook's The Tragedie of Carmen with Opera on the James. He returns to OOJ as Roméo opposite star soprano Talise Trevigne (Nov) and débuts as special guest vocalist in the engaging Bernstein on Broadway with the Phoenix Symphony (Nov) and the Minnesota Orchestra (Apr '08). He débuts with Seattle Symphony (Dec) as tenor soloist in The Messiah, and sings Edgardo in a joint production of Lucia with Asheville Lyric and Opera Company of Carolina (Jan '08).

In addition to his concert appearances abroad, he performed in an all-Russian music program with the Cathedral Choral Society at the National Cathedral in Washington, DC, and in Duluth Festival Opera's inaugural gala. He also débuted with Opera on the James and Dayton Opera, and made a triumphant return to Opera Birmingham as Nemorino, a favorite role.

He also has appeared in principal and featured roles with San Francisco Opera, New York City Opera, Opera Orchestra of New York, Mississippi Opera, Anchorage Opera, Bel Canto at Caramoor, Opera Theatre of Connecticut, Connecticut Grand Opera & Orchestra, Opera Providence, and the Sanibel Music Festival. Future opera appearances include débuts as Don Ottavio, Tamino, and Fenton.

Mr. Ossenfort attended the prestigious Tanglewood Music Center where he participated in the Phyllis Curtin Seminars and performed numerous leading roles under the direction and nurturing tutelage of Maestro Seiji Ozawa.

His ever increasing discography includes the world premiere recordings of An Angel Oratorio and Music of the Titanic for EMI. His latest CD of Kurt Weill's Eternal Road with Maestro Gerard Schwarz and Rundfunk-Sinfonieorchester Berlin, is soon to be released by Naxos American Classics.

PRESS ACCLAIM

As Edgardo in Donizetti's Lucia di Lammermoor:

"Tenor David Ossenfort as Edgardo was the ideal nineteenth-century romantic lover consumed by many passions, loving Lucia but able to turn on her when he thinks she has betrayed him, and willing to die by his own hand when he learns of his beloved's death. His fine voice made all Edgardo's torments very real, and he was especially effective in his angry encounters with the men who would separate him from Lucia."

Martha A. Fawbush - Classical Voice of North Carolina - Jan 19, 2008

As Soloist in Händel's Messiah:
(début with Seattle Symphony)

"Triumphant Messiah"
"The four vocal soloists were Celena Shafer (soprano), Charlotte Hellekant (mezzo-soprano), David Ossenfort (a mellifluous tenor) and Harold Wilson (a resonant bass)."

Seattle Times - Dec 2007

"'Messiah' brings out the best in SSO"
"The tenor of David Ossenfort is big and round and attractive. He can sing softly too."

P-I - Dec 2007

As Don José in Carmen:

"David Ossenfort brought gritty, dramatic realism and beautifully controlled vocalism to this role. He brings both the poignancy and excitement of opera to life. I will watch for this rapidly maturing young artist to make his way to the top of the heap!"

C. Fields - Virginia - Apr 2007

As soloist in Mozart's Scena - Se ai labbro mio, K.295:
(with The Rockford Symphony - April '06)

"The evening began with a Mozart work, 'Se ai labbro mio' K.295, with lyric tenor David Ossenfort. Basically a love song, the composition is indeed compelling, but was given extraordinary rendering by the strong and vibrant voice of the soloist. From the first sound of his voice, the audience was aware of Mr. Ossenfort's superb artistry and ability to transform notes and words on paper into beautiful music."

As Soloist in Britten's Serenade for Tenor, Horn and Strings:
(with The Rockford Symphony - April '06)

"Mr. Ossenfort gave very moving expression to each of the movements displaying his ability to add strength, tenderness and intense emotion where needed."

Nat Bauer - The Rockford Star - April 4, 2006

As Nemorino in Donizetti's L'Elisir d'Amore:

"Ossenfort brilliantly projected his character's naiveté and obsessive love for Adina. His passionate, show-stopping rendition of 'Una furtive lagrima' was rewarded with shouts of 'bravo.'"

Opera Birmingham - April, 2005

As Tenor Soloist in Rachmaninoff's The Bells:
(début with the Cathedral Choral Society - Washington, DC)

"The luster of David Ossenfort's bel canto tenor captivated the ear."

The Washington Post - Tuesday, March 8, 2005

Début as Roméo in Gounod's Roméo et Juliette:

"good choice for the title role"
"young, slim and good-looking"
"Ossenfort has a clear, powerful tenor with fine dynamic control in his upper range."

Seth Williamson special to the Roanoke Times - March 27, 2004

As Edgardo in Lucia di Lammermoor:
(Opera Birmingham, AL - January '04)

"Tenor David Ossenfort matched up well as Lucia's lover, Edgardo, tenderly expounding his love in the Act 1 duet. His tenor was smooth as silk as he moved fluidly about the stage."

The Birmingham News - Feb 8, 2004

In Concert
(Gala for Opera Birmingham, AL - January '03):

"Ossenfort has all the vocal goods, as he showed last year as Alfredo in Opera Birmingham's La Traviata: rich emotive singing that projects even in the softest passages and a top register that could easily fill any opera house."

Michael Huebner - The Birmingham News - Jan 26, 2003

As Don Ramiro in Rossini's La Cenerentola:
(Opera Providence - September '02)

"For the more discerning adult listener, the production offers some crisp, elegant coloratura work from Nicolosi, and more than a few ringing high C's from tenor David Ossenfort, who plays Don Ramiro, the prince smitten by Cinderella's charm and kindness. Ossenfort, who has sung with New York City Opera, possesses a bright, clear tenor voice."

Channing Gray - Providence Journal - Sep 20, 2002

As Ernesto in Donizetti's Don Pasquale:
(Caramoor International Music Festival - April '02)

"The role of Ernesto, the Don's nephew, was sung by tenor David Ossenfort with unforced sweetness and a catch in the voice that went straight to the heart. His sound, while young, offers hints of impressive brilliance. Ossenfort's rendition of the well-known serenade goes to the top of my list of enchanting performances."

The Journal News (NY)

As Nemorino in Donizetti's L'Elisir d'Amore:
(Anchorage Opera - March '02)

"The great voice of the evening came from tenor David Ossenfort in the leading role. To advance 'L'Elisir' beyond the dramatic stature of 'Dumb and Dumber,' Nemorino must deliver his serious second-act aria, 'Una furtiva lagrima,' with perfect poise, great vocal beauty and wrenching emotion. Ossenfort triumphed on all counts and drew the loudest cheers from the crowd. Here's hoping we hear more from this guy in the future."

Anchorage Daily News

As Alfredo in Verdi's La Traviata:
(Opera Birmingham - January '02)

"Even more impressive was tenor David Ossenfort, who, as Alfredo, exuded confidence, anger, and remorse, as required. His spirited first act 'Libiam ne lieti calici' and affectionate duets with Bender (Violetta) were some of the opera's high points. He possesses a sweetly elegant voice, finely honed in the top register which easily filled the Alabama Theatre (2,500 seats). He also has fine musical instincts, which in this performance helped to keep the orchestra in check and the action from wavering."

The Birmingham News - Jan 27, 2002

As Nemorino in Donizetti's L'Elisir d'Amore:
(Opera Roanoke - September '00)

"Ossenfort (Nemorino) has a delicious dynamic control in his higher range and lingered lovingly on those notes which he knew he was producing especially beautifully. 'Una furtiva lagrima' was deeply moving as he savored the beautiful melody. Ossenfort is an exciting young tenor."

The Roanoke Times

As Nemorino in Donizetti's L'Elisir d'Amore:
(Opera Roanoke - Sep '00)"

"Ossenfort's Nemorino is not so much the clownish redneck as a handsome, sad-eyed and sensitive kid who is so infatuated that you can actually believe he'd mistake 'corn likker' for a magic love potion. Ossenfort has a delicious dynamic control in his higher range and lingered lovingly on those notes which he knew he was producing especially beautifully. 'Una furtiva lagrima,' the tenor's highpoint, was deeply moving as he savored the beautiful melody. Ossenfort is an exciting young tenor who one day may become too expensive for Opera Roanoke, so hear him now when you can."

The Roanoke Times

As Alfred in Strauss's Die Fledermaus:
(Opera Theatre of Connecticut - Aug '98)

" … Alfred, played by David Ossenfort, whose melodious, mellow tenor is gorgeously suited to the operatic arias he voiced to win Rosalinde's heart."

The Herald

"The opera tenor, Alfred, played by David Ossenfort, had all the operatic attributes to captivate Rosalinde's romantic fantasies, including a Pavarotti high 'C' and hanky."

The Middletown Press

"Of the male protagonists, tenor Eisenstein and baritone Falke, together with would-be lover Alfred (David Ossenfort) who carries the first act with aplomb and a wonderful tenor voice, combine the magical talents of singing, acting and movement. Besides, they are handsome (can't best that).

Main Street News

PRESS ACCLAIM

As Edgardo in Donizetti's Lucia di Lammermoor:

"Tenor David Ossenfort as Edgardo was the ideal nineteenth-century romantic lover consumed by many passions, loving Lucia but able to turn on her when he thinks she has betrayed him, and willing to die by his own hand when he learns of his beloved's death. His fine voice made all Edgardo's torments very real, and he was especially effective in his angry encounters with the men who would separate him from Lucia."
Martha A. Fawbush - Classical Voice of North Carolina - Jan 19, 2008

As Soloist in Händel's Messiah: (début with Seattle Symphony)

"Triumphant Messiah" "The four vocal soloists were Celena Shafer (soprano), Charlotte Hellekant (mezzo-soprano), David Ossenfort (a mellifluous tenor) and Harold Wilson (a resonant bass)."
Seattle Times - Dec 2007

"'Messiah' brings out the best in SSO" "The tenor of David Ossenfort is big and round and attractive. He can sing softly too."
P-I - Dec 2007

As Don José in Carmen:

"David Ossenfort brought gritty, dramatic realism and beautifully controlled vocalism to this role. He brings both the poignancy and excitement of opera to life. I will watch for this rapidly maturing young artist to make his way to the top of the heap!"
C. Fields - Virginia - Apr 2007

As soloist in Mozart's Scena - Se ai labbro mio, K.295: (with The Rockford Symphony - April '06)

"The evening began with a Mozart work, 'Se ai labbro mio' K.295, with lyric tenor David Ossenfort. Basically a love song, the composition is indeed compelling, but was given extraordinary rendering by the strong and vibrant voice of the soloist. From the first sound of his voice, the audience was aware of Mr. Ossenfort's superb artistry and ability to transform notes and words on paper into beautiful music."

As Soloist in Britten's Serenade for Tenor, Horn and Strings: (with The Rockford Symphony - April '06)

"Mr. Ossenfort gave very moving expression to each of the movements displaying his ability to add strength, tenderness and intense emotion where needed."
Nat Bauer - The Rockford Star - April 4, 2006

As Nemorino in Donizetti's L'Elisir d'Amore:

"Ossenfort brilliantly projected his character's naiveté and obsessive love for Adina. His passionate, show-stopping rendition of 'Una furtive lagrima' was rewarded with shouts of 'bravo.'"
Opera Birmingham - April, 2005

As Tenor Soloist in Rachmaninoff's The Bells: (début with the Cathedral Choral Society - Washington, DC)

"The luster of David Ossenfort's bel canto tenor captivated the ear."
The Washington Post - Tuesday, March 8, 2005

Début as Roméo in Gounod's Roméo et Juliette:

"good choice for the title role" "young, slim and good-looking" "Ossenfort has a clear, powerful tenor with fine dynamic control in his upper range."
Seth Williamson special to the Roanoke Times - March 27, 2004

As Edgardo in Lucia di Lammermoor: (Opera Birmingham, AL - January '04)

"Tenor David Ossenfort matched up well as Lucia's lover, Edgardo, tenderly expounding his love in the Act 1 duet. His tenor was smooth as silk as he moved fluidly about the stage."
The Birmingham News - Feb 8, 2004
In Concert (Gala for Opera Birmingham, AL - January '03):

"Ossenfort has all the vocal goods, as he showed last year as Alfredo in Opera Birmingham's La Traviata: rich emotive singing that projects even in the softest passages and a top register that could easily fill any opera house."
Michael Huebner - The Birmingham News - Jan 26, 2003

As Don Ramiro in Rossini's La Cenerentola: (Opera Providence - September '02)

"For the more discerning adult listener, the production offers some crisp, elegant coloratura work from Nicolosi, and more than a few ringing high C's from tenor David Ossenfort, who plays Don Ramiro, the prince smitten by Cinderella's charm and kindness. Ossenfort, who has sung with New York City Opera, possesses a bright, clear tenor voice."
Channing Gray - Providence Journal - Sep 20, 2002

As Ernesto in Donizetti's Don Pasquale: (Caramoor International Music Festival - April '02)

"The role of Ernesto, the Don's nephew, was sung by tenor David Ossenfort with unforced sweetness and a catch in the voice that went straight to the heart. His sound, while young, offers hints of impressive brilliance. Ossenfort's rendition of the well-known serenade goes to the top of my list of enchanting performances."
The Journal News (NY)

As Nemorino in Donizetti's L'Elisir d'Amore: (Anchorage Opera - March '02)

"The great voice of the evening came from tenor David Ossenfort in the leading role. To advance 'L'Elisir' beyond the dramatic stature of 'Dumb and Dumber,' Nemorino must deliver his serious second-act aria, 'Una furtiva lagrima,' with perfect poise, great vocal beauty and wrenching emotion. Ossenfort triumphed on all counts and drew the loudest cheers from the crowd. Here's hoping we hear more from this guy in the future."
Anchorage Daily News

As Alfredo in Verdi's La Traviata: (Opera Birmingham - January '02)

"Even more impressive was tenor David Ossenfort, who, as Alfredo, exuded confidence, anger, and remorse, as required. His spirited first act 'Libiam ne lieti calici' and affectionate duets with Bender (Violetta) were some of the opera's high points. He possesses a sweetly elegant voice, finely honed in the top register which easily filled the Alabama Theatre (2,500 seats). He also has fine musical instincts, which in this performance helped to keep the orchestra in check and the action from wavering."
The Birmingham News - Jan 27, 2002

As Nemorino in Donizetti's L'Elisir d'Amore: (Opera Roanoke - September '00)

"Ossenfort (Nemorino) has a delicious dynamic control in his higher range and lingered lovingly on those notes which he knew he was producing especially beautifully. 'Una furtiva lagrima' was deeply moving as he savored the beautiful melody. Ossenfort is an exciting young tenor."
The Roanoke Times

As Nemorino in Donizetti's L'Elisir d'Amore: (Opera Roanoke - Sep '00)"

"Ossenfort's Nemorino is not so much the clownish redneck as a handsome, sad-eyed and sensitive kid who is so infatuated that you can actually believe he'd mistake 'corn likker' for a magic love potion. Ossenfort has a delicious dynamic control in his higher range and lingered lovingly on those notes which he knew he was producing especially beautifully. 'Una furtiva lagrima,' the tenor's highpoint, was deeply moving as he savored the beautiful melody. Ossenfort is an exciting young tenor who one day may become too expensive for Opera Roanoke, so hear him now when you can."
The Roanoke Times

As Alfred in Strauss's Die Fledermaus: (Opera Theatre of Connecticut - Aug '98)

" … Alfred, played by David Ossenfort, whose melodious, mellow tenor is gorgeously suited to the operatic arias he voiced to win Rosalinde's heart."
The Herald

"The opera tenor, Alfred, played by David Ossenfort, had all the operatic attributes to captivate Rosalinde's romantic fantasies, including a Pavarotti high 'C' and hanky."
The Middletown Press

"Of the male protagonists, tenor Eisenstein and baritone Falke, together with would-be lover Alfred (David Ossenfort) who carries the first act with aplomb and a wonderful tenor voice, combine the magical talents of singing, acting and movement. Besides, they are handsome (can't best that).
Main Street News

Photo of David Ossenfort

photo: John Hart

AUDIO SAMPLES

Click on the icon or sample name below. High-speed internet connection is recommended.

Additional audio samples are available on CD. Contact Novo Artists for more information.

Ach, mein Sinn (St. John Passion).mp3	03:33	3.2mb
En fermant les yeux (Des Grieux - Manon).mp3	03:26	3.6mb
Lonely House (Sam Kaplan - Street Scene).mp3	04:00	4.4mb
Una furtiva lagrima (Nemorino - L'Elisir d'amore).mp3	03:51	3.6mb
Aller Seelen (R. Strauss).mp3	03:19	3.1mb
A'vucchella (Tosti).mp3	02:33	2.4mb
La Rosa y El Sauce (Guastavino).mp3	02:42	2.5mb
Thine Alone (V. Herbert).mp3	03:07	2.9mb
Sonnet from the Serenade, Op. 31, for Tenor, Horn and Strings (Britten).wma recorded live Apr 1, 2006	03:49	3.5mb

Photo of David Ossenfort

David Ossenfort as Roméo

PROFESSIONAL EXPERIENCE - OPERA (selected)

Opera Company of North Carolina
Edgardo - Lucia

Asheville Lyric Opera
Edgardo - Lucia

Opera on the James
Don José - The Tragedie of Carmen

Dayton Opera (company début)
Eisenstein (role début) Die Fledermaus

Opera Birmingham
Nemorino - L'Elisir d'Amore

San Francisco Opera (company début)
Andrew Johnson - The Mother of Us All
and Beppe (cover) - I Pagliacci

Mississippi Opera
Ralph - HMS Pinafore

Opera Birmingham
Edgardo - Lucia di Lammermoor

Opera Roanoke
Romeo - Roméo et Juliette

San Francisco Opera
Don Ramiro - La Cenerentola

Caramoor International Music Festival
Ernesto - Don Pasquale

Anchorage Opera
Nemorino - L'Elisir d'Amore

Opera Birmingham
Alfredo - La Traviata

Anchorage Opera
Edgardo - Lucia di Lammermoor

Opera Roanoke
Nemorino - L'Elisir d'Amore

New York City Opera
Il Viaggio a Reims, Ariodante, Carmen, Falstaff, Central Park,
and The Mother of Us All

American Opera Projects
Heinrich Heine Doppelgänger

Opera Orchestra of New York
Donizetti's Lucrezia Borgia - Carnegie Hall

Opera Orchestra of New York
Meyerbeer's Les Huguenots - Carnegie Hall

EOS Orchestra
Tenor I - Stravinsky's Renard

Sanibel Music Festival
Ferrando - Così fan tutte

Opera Providence
Don Ramiro - La Cenerentola

Opera Theater of Connecticut
Lindoro - L'Italiana in Algeri

PROFESSIONAL EXPERIENCE - OPERA (selected)
Opera Company of North Carolina	Edgardo - Lucia
Asheville Lyric Opera	Edgardo - Lucia
Opera on the James	Don José - The Tragedie of Carmen
Dayton Opera (company début)	Eisenstein (role début) Die Fledermaus
Opera Birmingham	Nemorino - L'Elisir d'Amore
San Francisco Opera (company début)	Andrew Johnson - The Mother of Us All and Beppe (cover) - I Pagliacci
Mississippi Opera	Ralph - HMS Pinafore
Opera Birmingham	Edgardo - Lucia di Lammermoor
Opera Roanoke	Romeo - Roméo et Juliette
San Francisco Opera	Don Ramiro - La Cenerentola
Caramoor International Music Festival	Ernesto - Don Pasquale
Anchorage Opera	Nemorino - L'Elisir d'Amore
Opera Birmingham	Alfredo - La Traviata
Anchorage Opera	Edgardo - Lucia di Lammermoor
Opera Roanoke	Nemorino - L'Elisir d'Amore
New York City Opera	Il Viaggio a Reims, Ariodante, Carmen, Falstaff, Central Park, and The Mother of Us All
American Opera Projects	Heinrich Heine Doppelgänger
Opera Orchestra of New York	Donizetti's Lucrezia Borgia - Carnegie Hall
Opera Orchestra of New York	Meyerbeer's Les Huguenots - Carnegie Hall
EOS Orchestra	Tenor I - Stravinsky's Renard
Sanibel Music Festival	Ferrando - Così fan tutte
Opera Providence	Don Ramiro - La Cenerentola
Opera Theater of Connecticut	Lindoro - L'Italiana in Algeri

OTHER APPEARANCES

News 12 New York (TV Broadcast)
"Celebrity Spotlight"

OTHER APPEARANCES
News 12 New York (TV Broadcast)	"Celebrity Spotlight"

PROFESSIONAL EXPERIENCE - CONCERT & ORATORIO (selected)

Minnesota Orchestra
Guest Artist - Bernstein on Broadway

Seattle Symphony
SOLOIST - Messiah

The Alabama Theatre in Birmingham
GUEST SOLOIST - An Alabama Christmas Concert

Phoenix Symphony
Guest Artist - Bernstein on Broadway

The Minneapolis Symphony
SOLOIST - The Three Tenors: A New Generation!

Opera on the James
SOLOIST - The Three Tenors: A New Generation!

Duluth Festival Opera
SOLOIST - The Three Tenors: A New Generation!

Opera Roanoke
SOLOIST - The Three Tenors: A New Generation!

Cathedral Choral Society
SOLOIST - Rachmaninoff's The Bells

BachWorks, NYC
TENOR SOLOIST - Judas Maccabeus

Princeton University Concert Series
SOLOIST (début) - Bach St. John Passion

Opera Birmingham
SPECIAL GUEST SOLOIST - GALA CONCERT

St. John the Divine Cathedral
SOLOIST - Händel's Messiah

Carnegie Hall
TENOR SOLOIST - The Nativity

Roanoke, VA
Gala Duo Recital Concert with Michelle Areyzaga

The Kennedy Center
SOLOIST - Glass' Symphony No.5 (Kennedy Center début)

Carnegie Hall
SOLOIST - Mozart's Coronation Mass & Schubert's Mass in G

PROFESSIONAL EXPERIENCE - CONCERT & ORATORIO (selected)
Minnesota Orchestra	Guest Artist - Bernstein on Broadway
Seattle Symphony	SOLOIST - Messiah
The Alabama Theatre in Birmingham	GUEST SOLOIST - An Alabama Christmas Concert
Phoenix Symphony	Guest Artist - Bernstein on Broadway
The Minneapolis Symphony	SOLOIST - The Three Tenors: A New Generation!
Opera on the James	SOLOIST - The Three Tenors: A New Generation!
Duluth Festival Opera	SOLOIST - The Three Tenors: A New Generation!
Opera Roanoke	SOLOIST - The Three Tenors: A New Generation!
Cathedral Choral Society	SOLOIST - Rachmaninoff's The Bells
BachWorks, NYC	TENOR SOLOIST - Judas Maccabeus
Princeton University Concert Series	SOLOIST (début) - Bach St. John Passion
Opera Birmingham	SPECIAL GUEST SOLOIST - GALA CONCERT
St. John the Divine Cathedral	SOLOIST - Händel's Messiah
Carnegie Hall	TENOR SOLOIST - The Nativity
Roanoke, VA	Gala Duo Recital Concert with Michelle Areyzaga
The Kennedy Center	SOLOIST - Glass' Symphony No.5 (Kennedy Center début)
Carnegie Hall	SOLOIST - Mozart's Coronation Mass & Schubert's Mass in G


photo: John Hart

OPERATIC REPERTOIRE

Barber
Vanessa
Anatol
3

Bizet
Carmen
Don José
2

Les Pêcheurs de Perles
Nadir
3

Bizet/Brook
The Tragedie of Carmen
Don José
1

Britten
Peter Grimes
Rector Horace Adams
1

Delibes
Lakme
Gérald
3

Donizetti
L'Elisir d'Amore
Nemorino
1

Lucia di Lammermoor
Edgardo
1

Gounod
Faust
Faust
2

Roméo et Juliette
Romeo
1

Massenet
Manon
Chevalier des Grieux
2

Werther
Werther
3

Mozart
La Clememza di Tito
Tito
3

Così fan tutte
Ferrando (English & Italian)
1

Die Entführung
Belmonte
3

Don Giovanni
Don Ottavio
1

Die Zauberflöte
Tamino (German & English)
2

Poulenc
Les Dialogues de Carmelites
Chevalier de la Force
3

Puccini
La Bohème
Rodolfo
2

Gianni Schicchi
Rinuccio
2

La Rondine
Ruggero
2

Strauss, J.
Die Fledermaus
Gabriel von Eisenstein
1

Alfred
1

Stravinsky
The Rake's Progress
Tom Rakewell
3

Tchaikovsky
Eugene Onegin
Lensky
2

Thompson
The Mother of Us All
Andrew Johnson
1

Verdi
Falstaff
Fenton
2

Macbeth
Macduff
2

Otello
Cassio
2

Rigoletto
The Duke
2

La Traviata
Alfredo
1

Weill
Street Scene
Sam Kaplan
2

OPERATIC REPERTOIRE
Barber	Vanessa	Anatol	3
Bizet	Carmen	Don José	2
	Les Pêcheurs de Perles	Nadir	3
Bizet/Brook	The Tragedie of Carmen	Don José	1
Britten	Peter Grimes	Rector Horace Adams	1
Delibes	Lakme	Gérald	3
Donizetti	L'Elisir d'Amore	Nemorino	1
	Lucia di Lammermoor	Edgardo	1
Gounod	Faust	Faust	2
	Roméo et Juliette	Romeo	1
Massenet	Manon	Chevalier des Grieux	2
	Werther	Werther	3
Mozart	La Clememza di Tito	Tito	3
	Così fan tutte	Ferrando (English & Italian)	1
	Die Entführung	Belmonte	3
	Don Giovanni	Don Ottavio	1
	Die Zauberflöte	Tamino (German & English)	2
Poulenc	Les Dialogues de Carmelites	Chevalier de la Force	3
Puccini	La Bohème	Rodolfo	2
	Gianni Schicchi	Rinuccio	2
	La Rondine	Ruggero	2
Strauss, J.	Die Fledermaus	Gabriel von Eisenstein	1
		Alfred	1
Stravinsky	The Rake's Progress	Tom Rakewell	3
Tchaikovsky	Eugene Onegin	Lensky	2
Thompson	The Mother of Us All	Andrew Johnson	1
Verdi	Falstaff	Fenton	2
	Macbeth	Macduff	2
	Otello	Cassio	2
	Rigoletto	The Duke	2
	La Traviata	Alfredo	1
Weill	Street Scene	Sam Kaplan	2

1
performed

2
completely prepared

3
future role

Photo of David Ossenfort

photo: John Hart

CONCERT & ORATORIO REPERTOIRE

Andriessen
Hadewich

Bach, C.P.E.
Magnificat

Bach, J.S.
Christmas Oratorio

Magnificat

Mass in b minor

St. John Passion

St. Matthew Passion

Beethoven
Choral Fantasy

Mass in C

Brahms
Liebeslieder Waltzes

Neue Liebeslieder

Britten
Serenade

Dvořák
Stabat Mater

Glass
Symphony No.5 (Washington premiere, Kennedy Center)

Händel
Judas Maccabaeus

Messiah

Haydn
The Seasons

The Creation

Honegger
King David

Mendelssohn
Elijah

Mozart
Coronation Mass

Great Mass in C

Requiem

Rachmaninoff
The Bells

Rodgers Robinson
The Nativity (world premiere, Carnegie Hall)

Rossini
Petit Messe Solennelle

Stabat Mater

Schubert
Mass in A-flat

Mass in G

CONCERT & ORATORIO REPERTOIRE
Andriessen	Hadewich
Bach, C.P.E.	Magnificat
Bach, J.S.	Christmas Oratorio
	Magnificat
	Mass in b minor
	St. John Passion
	St. Matthew Passion
Beethoven	Choral Fantasy
	Mass in C
Brahms	Liebeslieder Waltzes
	Neue Liebeslieder
Britten	Serenade
Dvořák	Stabat Mater
Glass	Symphony No.5 (Washington premiere, Kennedy Center)
Händel	Judas Maccabaeus
	Messiah
Haydn	The Seasons
	The Creation
Honegger	King David
Mendelssohn	Elijah
Mozart	Coronation Mass
	Great Mass in C
	Requiem
Rachmaninoff	The Bells
Rodgers Robinson	The Nativity (world premiere, Carnegie Hall)
Rossini	Petit Messe Solennelle
	Stabat Mater
Schubert	Mass in A-flat
	Mass in G

Photo of David Ossenfort

photos: Oliver Korshin

David Ossenfort as Nemorino (Anchorage Opera March 2002)

RECORDINGS

The Eternal Road by Kurt Weill
Gerard Schwarz conducting
the Rundfunk-Sinfonieorchester Berlin
[To be released in 2007 - Naxos Classics]

Released:

Music of the Titanic
EMI

An Angel Oratorio
EMI

Splendor of the High Holy Days
VOX

Nicole
Albany Records

The Eternal Road by Kurt Weill
Gerard Schwarz conducting
the Rundfunk-Sinfonieorchester Berlin
Naxos Classics

"From the Naxos American Classics series, there is a subseries, American Jewish Music from the Milken Archive. The latest addition is "The Art of Yiddish Song," which celebrates the Yiddish art songs of Lazar Weiner (1897-1982). Here are 32 selections ranging from 45 seconds to 4.5 minutes, sung by such artists as Raphael Frieder, Ida Rae Cahana, Meir Finkelstein, Robert Abelson and the outstanding tenor David Ossenfort. Some heartbreaking, all lovely, these songs provide fascinating insight into how this people's experience in America reflects all of their history. Complete texts and translations are provided."

Classical Music Reviews

RECORDINGS
The Eternal Road by Kurt Weill Gerard Schwarz conducting the Rundfunk-Sinfonieorchester Berlin	[To be released in 2007 - Naxos Classics]

Released:
Music of the Titanic	EMI
An Angel Oratorio	EMI
Splendor of the High Holy Days	VOX
Nicole	Albany Records
The Eternal Road by Kurt Weill Gerard Schwarz conducting the Rundfunk-Sinfonieorchester Berlin	Naxos Classics
"From the Naxos American Classics series, there is a subseries, American Jewish Music from the Milken Archive. The latest addition is "The Art of Yiddish Song," which celebrates the Yiddish art songs of Lazar Weiner (1897-1982). Here are 32 selections ranging from 45 seconds to 4.5 minutes, sung by such artists as Raphael Frieder, Ida Rae Cahana, Meir Finkelstein, Robert Abelson and the outstanding tenor David Ossenfort. Some heartbreaking, all lovely, these songs provide fascinating insight into how this people's experience in America reflects all of their history. Complete texts and translations are provided."
Classical Music Reviews

Photo of David Ossenfort

photo: John Hart

EDUCATION & TRAINING

Fellowship Program
Tanglewood Music Center

The Phyllis Curtin Seminar
Tanglewood Music Center

B.A. Fine Arts (in Opera Performance)
State University of New York at Purchase

EDUCATION & TRAINING
Fellowship Program	Tanglewood Music Center
The Phyllis Curtin Seminar	Tanglewood Music Center
B.A. Fine Arts (in Opera Performance)	State University of New York at Purchase

VOICE TEACHER

Neil Rosenschein

VOICE TEACHER
Neil Rosenschein

Click to visit Mr. Ossenfort's page at the The Milken Archive of American Jewish Music.

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photos: Oliver Korshin
David Ossenfort as Nemorino (Anchorage Opera March 2002)