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American soprano Lori Lind, whom the Washington Post hails as "radiant in voice and striking in stage presence," is quickly gaining recognition as an important young artist. She continues to be lauded for her interpretation of roles in Italian opera, most recently as Norma, Leonora (Il Trovatore), Violetta, Mimì, and Nedda. Equally adept in modern literature, she has sung the part of Miriam in Lee Hoiby's The Scarf and the doomed prophetess Kassandra in the world premier of Andrew Simpson's dramatic Agamemnon. A versatile, intelligent, and elegant singer, Ms. Lind has also triumphed in several Mozartean roles including Fiordiligi in Cosi fan tutte and La Contessa in Le Nozze di Figaro.
She has performed with numerous companies including Washington National Opera, Tri-Cities Opera (NY), Opera Raleigh, Lyric Opera Cleveland, Opera in the Heights (TX), Italy's Ravello Festival, Center City Opera, Opera Vivente (MD), Opera Theatre of Northern Virginia, Annapolis Opera and The Maryland Opera Society.
Ms. Lind has received recognition and awards from the Schuyler Foundation for Career Bridges, The Connecticut Opera, The Jenny Lind Foundation, The Gerda Lissner Foundation, The Licia Albanese-Puccini Foundation, The Peabody Career Grant Foundation, The Shubert Theatre Awards, The Tucker Foundation, the Liederkranz Foundation, Long Leaf Opera and Tri-Cities Opera Resident Artist Program. She was recently awarded the Grand Prize (1st place) and the Director/Conductor Award at the 2005 Annapolis Opera Vocal Competition. Of her performance in that competition, the Baltimore Sun wrote: "Ms. Lind's astonishing vocal gifts are enhanced by her vivacity and youthful beauty." They went on to say: "[she] offered an exquisite 'D'amor sull'ali rosee' from Verdi's Il Trovatore in her magnificent soprano and a compelling 'Depuis le jour' from Charpentier's Louise that was richly colored and filled with feeling."
During the 2005-06 season, she appeared with Houston's Opera in the Heights where she sang her first Norma and Leonora. In addition, she appeared as special guest artist in OH's Grand Finale 10th Anniversary Gala in which she sang the leading heroines in Rigoletto, Tosca and Aida. The Houston Chronicle's Charles Ward praised her unreservedly, stating: "As Gilda, Tosca and Aida, soprano Lori Lind moved agilely among the disparate musical styles. She had the steely power and riveting high notes to etch strong characterizations of all three women. Her portrayals galvanized the show."
Most recently, Ms. Lind received unprecedented accolades for her portrayal of Verdi's tragic heroine Violetta in La Traviata. Classical Voice of North Carolina praised: "From the moment Lind appeared on stage, she showed herself a superb singer whose thrilling high notes, dazzling coloratura passages, and seamless legato met all one's expectations. As singer and consummate actress, she commands the stage." The Raleigh News Observer lauded her portrayal stating: "Lori Lind was up to all the vocal challenges, her bright, clear voice pleasingly full, with a thrilling spin. She had the power to dominate the ensembles and could negotiate Verdi's ornate phrasing with command. In the last act, Lind provided arresting use of pianissimos and chest voice. In the role, Lind's talents impressed mightily, signaling an exciting career ahead "
Donna Anna | Don Giovanni | Opera on the James | Apr 3 & 5, 2009 |
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Début as Violetta: |
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From the moment Lind appeared on stage, she showed herself a superb singer whose thrilling high notes, dazzling coloratura passages, and seamless legato met all one's expectations. As singer and consummate actress, she commands the stage, especially in the exciting 'Libiamo, libiamo ne lieti calici' and in her poignantly beautiful, expressive singing in the love duet with Alfredo. Her solo lines in 'Sempre libera,' suitably decorated with abundant coloratura passages and scintillating high notes, are a passionate statement extolling the freedom and pleasure Violetta finds in living. After all this appropriate vocal display, she is quite right to insert a sizzling high Eb in the final cadence. Lind was just as effective in the remainder of the opera. The difficult aria 'Addio, del passato' comes at the end of the opera and is a test of the singer's stamina and technical skill. She was also able to conclude the piece with great beauty and expressiveness. The remainder of her singing in this act was a highly effective dramatization of a young woman facing and finally succumbing to an untimely death. |
Classical Voice of North Carolina (Raleigh, NC) - Oct 19, 2007 |
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"Violetta, the flirtatious courtesan, makes extreme demands on the lead soprano. Lori Lind was up to all the vocal challenges, her bright, clear voice pleasingly full, with a thrilling spin. She had the power to dominate the ensembles and could negotiate Verdi's ornate phrasing with command. In the last act, Lind provided arresting use of pianissimos and chest voice. In the role, Lind's talents impressed mightily, signaling an exciting career ahead " |
Roy C. Dicks - Measures of success - The News & Observer - Oct 21, 2007 |
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As Gilda, Tosca and Aida: |
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"The season ending production, Three Acts Three, was a strong, musically visceral show. As Gilda, Tosca and Aida, soprano Lori Lind moved agilely among the disparate musical styles. She had the steely power and riveting high notes to etch strong characterizations of all three women. Her portrayals galvanized the show." |
The Houston Chronicle, 2006 |
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As Grand PrizeWinner in the Annapolis Opera Competition: |
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"The Grand Prize and the Director-Conductor Award went to Lori Lind, who offered an exquisite 'D'amor sull'ali rosee' from Verdi's Il Trovatore in her rich soprano and a compelling 'Depuis le jour' from Charpentier's Louise that was richly colored and filled with feeling." |
The Baltimore Sun, 2005 |
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"The highlight of the competition was soprano Lori Lind's performances of arias by Verdi and Charpentier. With her superb vocalism, she not only received the Director-Conductor award, but also first prize for the competition." |
The Annapolis Capital, 2005 |
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As Fiordiligi with Lyric Opera Cleveland: |
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"Lori Lind fared fearlessly in Fiordiligi's treacherous arias, and she painted a poignant picture of amorous confusion." |
The Plain Dealer, 2004 |
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"Lori Lind invested Fiordiligi with dignity and warmth, and just the right amount of hesitation when her virtue came under attack from seemingly everyone else on the stage Still, it is the singing that is most important, and for this LOC deserves a solid A+. The two young couples were visually handsome and well-suited to each other, and their voices were sublime." |
Ensemble Magazine, 2004 |
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In Concert: |
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"Lori Lind, who usually sings Verdi and Puccini, showed herself to be equally at home in American works, radiant in voice and striking in stage presence." |
The Washington Post, 2003 |
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"Lori Lind, who performed in scenes from La Traviata and Il Trovatore, was the highlight of the evening. Ms. Lind's astonishing vocal gifts are enhanced by her vivacity and youthful beauty." |
The Baltimore Sun, 2005 |
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Aida | Aida | da Corneto Opera | 2008 |
Violetta | La Traviata | Capitol Opera, Raleigh, NC | 2007 |
Lady MacBeth | MacBeth | Center City Opera | 2007 |
Norma | Norma | Opera in the Heights, TX | 2006 |
Leonora | Il Trovatore | Opera in the Heights, TX | 2005 |
Fiordiligi | Cosi fan tutte | Lyric Opera Cleveland, OH | 2004 |
Nedda | I Pagliacci | Tri-Cities Opera, NY | 2004 |
Contessa | Le Nozze di Figaro | Tri-Cities Opera, NY | 2004 |
Mother | Amahl and the Night Visitors | Tri-Cities Opera, NY | 2003 |
Kassandra | Agamemnon (Simpson) | Catholic Opera Theatre, DC | 2003 |
Mimì | La Bohème | Ravello Festival, Italy | 2002 |
Miriam | The Scarf (Hoiby) | Opera Vivente, MD | 2000 |
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Ms. Lind as Fiordiligi in Così fan tutte |
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Ms. Lind as Norma |
| Bellini | Norma | Norma | 1 |
| Donizetti | Maria Stuarda | Elisabetta | 3 |
Lucia di Lammermoor | Lucia | 2 | |
Roberto Devereux | Elisabetta | 3 | |
| Floyd | Susannah | Susannah | 2 |
| Hoiby | The Scarf | Miriam | 1 |
| Leoncavallo | I Pagliacci | Nedda | 1 |
| Massenet | Le Cid | Chimene | 3 |
| Menotti | Amahl and the Night Visitors | Mother | 1 |
| Mozart | Così fan tutte | Fiordiligi | 1 |
Le Nozze di Figaro | Contessa | 1 | |
Don Giovanni | Donna Anna | 2 | |
| Puccini | La Bohème | Mimì | 1 |
Madama Butterfly | Butterfly | 2 | |
Manon Lescaut | Manon Lescaut | 3 | |
Tosca | Tosca | 1 | |
Turandot | Liù | 2 | |
| Simpson | Agamemnon | Kassandra | 1 |
| Verdi | Aida | Aida | 1 |
Un Ballo in Maschera | Amelia | 3 | |
Don Carlo | Elisabetta | 3 | |
Ernani | Elvira | 3 | |
La Forza del Destino | Leonora | 3 | |
Macbeth | Lady Macbeth | 1 | |
Otello | Desdemona | 3 | |
Rigoletto | Gilda | 1 | |
La Traviata | Violetta | 1 | |
Il Trovatore | Leonora | 1 |
1 | performed |
2 | completely prepared |
3 | in preparation or future role |
Three Acts Three | Scenes from Tosca, Aida, Rigoletto | Opera in the Heights, TX | 2006 |
Pasta and Puccini | Scenes from Tosca, Trovatore, Norma | Annapolis Opera, MD | 2005 |
Artist Concert | Scenes from Tosca, Traviata, Bohème | Maryland Opera Society | 2005 |
Pasta and Puccini | Scenes from Traviata, Bohème | Annapolis Opera, MD | 2003 |
Heroes and Rogues | Scenes from American Opera and Operetta | Opera Theatre of N. Virginia | 2003 |
Finalist | Liederkranz Foundation | 2008 |
Career Grant Recipient | The Violetta DuPont Foundation | 2007 |
Finalist | Licia Albanese-Puccini Foundation Competition | 2006, 2007 |
Career Grant Nominee | Tucker Foundation | 2006 |
Career Grant Recipient | Gerda Lissner Foundation | 2006, 2007, 2008 |
Career Grant Recipient | The Schuyler Foundation for Career Bridges | 2005, 2006, 2007 |
Grand Prize (1st place) | Annapolis Opera Competition | 2005 |
Director-Conductor Award | Annapolis Opera, MD | 2005 |
Doctor of Musical Arts, Opera Performance | Catholic University of America | Washington, DC | 2004 |
Resident Artist | Tri-Cities Opera | Binghamton, NY | 2003-2004 |
Master of Music | Peabody Conservatory | Baltimore, MD | 1999 |
Bachelor of Music | University of Alabama | Tuscaloosa, AL | 1997 |
Russell Penney, Sharon Sweet |
Karen Delavan, Joan Krueger |
Janet Bookspan |
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