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The British-Swiss conductor Monica Buckland Hofstetter grew up in England, and studied at Newnham College, Cambridge, the Basel Music Academy and the American Academy of Conducting at Aspen.
In 1992-93, she served as Assistant Conductor to the Bohuslav Martinu Philharmonie Zlín (Czech Republic), and since then she has been its Permanent Guest Conductor. She frequently appears as a guest conductor with several orchestras in Poland, Slovakia, Russia, and the Czech Republic. In Switzerland, she works regularly with the Bläsersolisten Aargau and Ars Cantata Zürich, and has conducted the Tonhalle Orchestra, Zürcher Kammerorchester, Musikkollegium Winterthur, Theater am Gleis Ensemble, Basel Sinfonieorchester, and the Symphonisches Orchester Zürich. In June 1997, Ms. Buckland Hofstetter had the honor of conducting the farewell concert of the Radio-Sinfonieorchester Basel. In summer 1999, she made her US debut conducting a program of new music by women composers in Washington, DC.
Her first two CDs, Vom Klang der Bilder (an orchestral cycle by the Swiss composer AK Zwicker) and missaverde (a large choral work by Fortunat Frölich), reflect Ms. Buckland Hofstetter's commitment to contemporary music. She has conducted many first performances of music by living composers, and has worked closely with composers such as Witold Lutoslawski, Rudolf Kelterborn, Andrew Lovett, Mela Meierhans, and Helmut Lachenmann on interpretations of their music. A third CD of new Swiss music is scheduled for release later this year.
Monica Buckland Hofstetter has won several awards, including a scholarship to the Basel Music Academy, a prize at the Leeds Conductors' Competition (England) in 1994, and the conducting prize of the Swiss Musicians' Association / Kiefer-Hablitzel Foundation in 1992 and 1993.
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"Buckland understands how to handle musicians, and takes an unmistakable pleasure in bold, passionate action. The precise and balanced performance in Dvořák's 8th Symphony was pre-eminently the long viola and cello legatos that reflected her interpretation. Buckland enchantingly molded the dynamic developments, often playing sudden contrasts against each other. Cheerfulness and melancholy wrapped round one another. First impressions bode well for Monica Buckland's ability to combine her amazing power with the orchestra's no less sizeable strength." |
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Sinfonieorchester der TU Dresden:
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"Under the masterful leadership of Monica Buckland, the Tonhalle Orchestra achieved a rich and colourful sound." |
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Tages-Anzeiger, May 22, 2004 |
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"Monica Buckalnd possesses a differentiated and expressive technique, and her conducting is analytical and acute. The Tonhalle Orchestra reacts swiftly and subtly, fully responsive to the energy of the conductor." |
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Der Zürcher Oberländer - May 21, 2004 |
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"My sincere admiration for a performance glowing with inner fire." |
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NZZ - May 21, 2004 |
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"Antonin Dvořák, Léos Janáček, Bohuslav Martinu, Petr Eben and Josef Bohuslav Foerster seldom have these pieces, so rarely heard, been performed so convincingly. An hour of celebration for the creators of these works and an all-too-short one for the audience. As usual, many small and apparently trivial details are actually decisive for such a convincing success. There was one fundamental reason - certainly not a detail - for this superb result: the conducting of Monica Buckland. It may appear invidious to pick out someone from the overall concept - but nevertheless, the marked signature, the line, the character, all indicate that the reason for success lay in the hands of conductor Monica Buckland. Her unshowy authority [is] a style of conducting that allows the audience time and space to concentrate entirely on dramaturgy of the pieces." |
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Domenic Buchli, Bündner Tagblatt, 19 February 2002 |
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" this semi-staged production [of Purcell's King Arthur] was a rewarding and spectacular performance. Monica Buckland conducted the Chapelle Ancienne and the choir Ars Cantata energetically and with consummate authority. This was altogether an enormous musical pleasure." |
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Michael Eidenbenz, Tages-Anzeiger, 28 January 2002 |
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Fremdes Japan |
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"The conductor Monica Buckland piloted the TaG Ensemble safely through the varied depths of this contemporary Japanese music." |
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Der Landbote 28.11.00 |
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Vivaldi & Telemann, recorder concertos |
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"The likeable conductor presented the orchestra not just as a completely reliable accompanist, but also brought out its melodic line and harmonic fullness. Monica Buckland Hofstetter presented herself not just as a talented conductor who makes orchestral works sound like chamber music, but her performance was particularly convincing when she brought out particular passages [of the Shostakovich] in their various shadings." |
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DNES 7.2.00 |
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Luzerner Zeitung 11.1.00 |
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"Exciting, commited and authoritative music-making." |
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Alfred Felder, Vision |
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Mela Meierhans, Na? (UA): |
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" the conductor, Monica Buckland Hofstetter - who by the way was exemplary throughout the whole evening, precisely and sensitively mastering the difficult task of conducting " |
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Ostschweizer Tagblatt 4.1.00 |
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Fortunat Frölich, missa verde: |
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"Missa verde was premiered in a committed performance under the supremely" good conducting of Monica Buckland Hofstetter. |
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Neue Zürcher Zeitung, 29.11.99 |
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Fortunat Frölich, missa verde |
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"A discovery and a great prize for the concert was the musical director, Monica Buckland Hofstetter. This director is a very good orchestral conductor. Every entry was given, the choir was actively supported, the soloists were able to rely on her. And thus the interpretation of Missa verde also became an experience that will long remain." |
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Die Südostschweiz, 30.11.99 |
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The Roosevelt Ensemble, NMWA, Washington, D.C.: |
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" an elegant and polished performance." |
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Washington Post, 22.6.99 |
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CD: Alfons Karl Zwicker, Vom Klang der Bilder |
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"The dynamic conductor Monica Buckland Hofstetter relies on her extraordinary ability, which rapidly gains respect from even hardened professionals Her latest CD demonstrates her thorough understanding of modern music's expressive possibilities." |
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Blick, 12.4.99 |
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Gioacchino Rossini, Petite messe solennelle Motettenchor Basel : |
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" [Monica Buckland Hofstetter] understood how to present the Petite Messe Solennelle with passion and conviction. Precise entries, the choir's harmonious articulation gave the necessary strength to the singing and delighted the plentiful audience." |
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Basler Zeitung, 30.3.99 |
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Gioacchino Rossini, Petite messe solennelle Motettenchor Basel : |
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" the carefree nature of the composition was mirrored in her interpretation it was a pleasure to listen. The invigorating freshness of the overall interpretation was highly welcome, and above all, believable." |
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BZ, 29.3.99 |
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J. Brahms, Ein deutsches Requiem |
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" an impressive effect: the conductor led the orchestra in an exciting intensification, fully conveying the drama of the subject and music." |
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BZ, 17.11.98 |
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Radio-Sinfonieorchester Basel, farewell concert: (Kelterborn and Skrzypczak): |
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"Monica Buckland Hofstetter was much more impressive. She led the musicians effortlessly, at the same time giving them the support they needed she and the Radio-Sinfonieorchester achieved an emotionally exciting interpretation, demonstrating above all the poetry of the music." |
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BZ, 28.6.97 |
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A. Moeschinger, Miracles de l'Enfance Basel Music Academy: |
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"This very delicate and subtle work requires simplicity and transparency. Under Monica Buckland Hofstetter the performers were able to demonstrate exactly this." |
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Bastler Zeitung, 11.3.97 |
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R. Strauss, Don Juan Tonhalle Orchestra: |
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"The energetic dynamism of Monica Buckland Hofstetter was completely convincing her individual approach to the interpretation was apparent very rapidly, a good testimonial for this conductor." |
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Muzik + Theater, Tonhalle Forum, November 1996 |
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A.K. Zwicker, Vom Klang der Bilder |
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"In the end, Vom Klang der Bilder was produced in close partnership with Monica Buckland Hofstetter, who prepared and led the Bohuslav Martinu Filharmonie Zlin excellently. The orchestra members gave the impression of playing their handwritten parts precisely to the last detail." |
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Die Ostschweiz, 11.5.96 |
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Bernstein, Chichester Psalms |
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"The conductor, Monica Buckland Hofstetter, grasped this piece in an unforced way, naturally and confident of the desired effects a beautiful mood." |
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BZ, 23.4.96 |
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H. Suter, Le Laudi KulturFrühling Allschwil: |
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"The greatest share of the success was earned by musical director Monica Buckland Hofstetter. Her unobtrusive conducting gestures demonstrated both staying power and impressive volume in this mature performance. Her interpretation was without flourishes and apparently effortless: Le Laudi shone without false glitter. The enormous effort has paid off and deserves infinte praise." |
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Basler Zeitung, 22.5.95 |
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Dvorák, Stabat Mater |
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"Discipline, rhythmic and dynamic precision and excellent expressive ability this young conductor, whose future promises success, proved herself this evening not only as a skilled choirmaster, but as a confident orchestral conductor, who led the Winterthurer Stadtorchester in a convincing performance " |
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NZZ, 31.5.94 |
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Weill evening |
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"What Monica Buckland Hofstetter conjured out of the orchestra was more than worth hearing. This effervescent music was given with such a sensitive interpretation, in all its detail that this famous suite never became a showy potpourri, but instead a striking work of art." |
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Aargauer Tagblat, 25.10.94 |
| ORCHESTRAL WORKS | |
Bartók | Concerto for Orchestra |
Beethoven | Overtures: Fidelio, Prometheus |
| Symphonies 2, 6, 7 |
Benda | Symphony in B flat |
Bizet | Symphony 1, Suite, L'Arlesienne |
Brahms | Symphony 1, Serenade Op. 16 |
Aaron Copland | Symphony 3 |
Corelli | Concerto grosso Op 6 No 4 |
F. Domazlicky | Suita Danza |
Durante | Primo concerto per orchestra d'archi |
Dvorák | Symphony 8, Czech Suite |
| Serenades Opp. 22 & 44 |
Elgar | Introduction and Allegro, Serenade |
| Overture, Cockaigne |
Gade | Noveletter Op. 53 |
Grieg | Symphony, Holberg Suite |
Haydn | Symphonies 83, 93, 94, 103 |
Fanny Hensel | Overture in C |
Holst | St Paul's Suite |
Honegger | Symphony 3 |
Ireland | Concertino Pastorale |
Janácek | Suite for Strings |
Marcello | Concerto grosso Op. 1 No. 4 |
Martinu | Partita |
Felix Mendelssohn | Symphony 4 |
Mozart | Symphonies K. 504, 543, 551 |
Myslivecek | Wind Serenade |
Nicolai | Overture: Lustige Weiber |
Puccini | Crisantemi |
Purcell | Suite, Dioclesian |
Rachmaninov | Symphony 2 |
Richter | Symphony in e minor |
Rota | Concerto per archi |
Schmelzer | Die Fechtschule |
Schoeck | Sommernacht |
Schubert | Symphonies 4, 9 |
Schumann | Overture: Manfred |
Shostakovich | Symphony 9 |
Sibelius | Rakastava |
Joh. Strauss I | Radetzky Marsch, Indianer-Galopp |
Joh. Strauss II | Overture: Die Fledermaus |
| Waltzes: Blue Danube, Wiener Blut, |
| Geschichten aus dem Wienerwald, Donauweibchen |
| Polkas: Explosions; Donner und Blitzen |
Josef Strauss | Polkas: Die Emanzipierte, Eingesendet |
Stravinsky | Octet |
R. Strauss | Till Eulenspiegel, Don Juan, |
| Rosenkavalier Suite Op. 59 |
Suk | Serenade for Strings, Pohádka |
Tchaikovsky | Serenade for Strings |
Telemann | Don Quixote, Overture in D |
Vivaldi | Concerto grosso Op. 3 No. 11 |
Wagner | Prelude, Die Meistersinger |
Weber | Overture: Oberon |
Webern | Symphony Op. 21 |
Weill | Kleine Dreigroschenmusik |
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| CONCERTANTE WORKS | |
Bach | Concerto for 2 Violins in d minor |
Brahms | Violin concerto |
Chausson | Poème |
Chopin | Variations sur "Là ci darem la mano" |
Domazlicky | Violin concerto 2 |
Giuliani | Guitar concerto Op. 30 |
Gordon Jacob | Suite for treble recorder and strings |
Liszt | Piano concerto 1 |
Mahler | Lieder eines fahrenden Gesellen, |
| Rückert-Lieder |
Marcello | Oboe concerto |
Martin | 6 Monologe aus Jedermann |
Martinu | Rhapsody Concerto |
Albert Moeschinger | Miracles de l'Enfance |
Mozart | Exsultate Jubilate, Violin concerto K.219 |
Paganini | Violin concerto 1 |
Poulenc | Organ concerto |
Ravel | Tzigane |
Rachmaninov | Piano concerto 2 |
Rodrigo | Concierto de Aranjuez |
Saint-Saëns | Violin Concerto 3 |
Sarasate | Zigeunerweisen |
Schumann | Cello concerto, Konzertstück (4 horns) |
Tchaikovsky | Piano concerto 1 |
Telemann | Suite in a minor |
Vieuxtemps | Violin concerto 5 |
Vivaldi | Piccolo concertos RV 443 & 444 |
Weill | Violin concerto |
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| MAJOR CHORAL WORKS | |
J.S.Bach | Johannespassion, Magnificat, Motets |
Leonard Bernstein | Chichester Psalms |
Lili Boulanger | Psaume 24 |
Brahms | Ein deutsches Requiem |
Bruckner | Mass in e minor |
Dvorák | Stabat Mater, Mass in D |
Fortunat Frölich | Missaverde |
Handel | The Messiah, Dixit Dominus, |
| Coronation Anthems |
Haydn | Harmoniemesse |
Honegger | Le roi David |
Hans Huber | Aus Goethes west-östlichem Divan |
Kodály | Missa Brevis |
William Mathias | A May Magnificat |
Mendelssohn | Motets: Aus tiefer Not, Hör mein Bitten |
Orff | Carmina Burana |
Arvo Pärt | Berliner Messe |
Poulenc | Gloria, Mass in G |
Rossini | Petite Messe Solennelle |
Schubert | Mass in G D.167 |
Schütz | German Magnificat, Psalmen Davids |
Stravinsky | Mass |
Hermann Suter | Le Laudi |
Vaughan Williams | Five Mystical Songs |
Vivaldi | Gloria, Magnificat |
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| NEW MUSIC | |
Deborah Barnekow | Deep peace of the quiet earth to you |
Felix Baumann | Quintet |
Susan Burkey | My Masters' Voices |
Caroline Charrière | Trauerfarben und Verklärung |
H-C von Dadelsen | Kamel |
Roshanne Etezady | Static |
Denise Fedeli | Miraggi |
Alfred Felder | Vision |
Morton Feldman | The viola in my life |
Noriko Hisada | Landscape |
Ursula Jansveld | Lied der Einsamkeit |
Rudolf Kelterborn | Vier Nachtstücke, Sappho-Lieder, |
| Gesänge zur Nacht, Erinnerungen an Orpheus, |
| Ensemble-bücher II & III |
Louisa Lasdun | Fractal, In meinen Träumen |
Andrew Lovett | Octet, Aria d'Arturo |
Yoritsune Matsudaira | Katsura |
Jost Meier | Mouvement dans l'immobile |
Mela Meierhans | Vagabundinnen, Almah, Jingles, Na? |
Messiaen | Couleurs de la cité céleste |
Ch. Neidhöfer | August Stramm Lieder |
Maria Niederberger | Oboe Concerto |
Arvo Pärt | Silouans Song, Festina Lente, Summa |
Felix Profos | Variationen |
Jean-Claude Schlaepfer | Chant de lune |
Bettina Skrzypczak | SN 1993 J |
Matthias Steinauer | Visionen |
Markus Wettstein | Nah-fern/leicht-schwer-leicht |
A.K. Zwicker | Vom Klang der Bilder |
| 23 Feb 2001 | Filharmonia Sudecka, Walbrzych |
Ursula Silea Jansveld-Küenzi | Lied der Einsamkeit |
Honegger | Symphon N. 4 "Deliciae Basiliensis" |
Mahler | Rückert-Lieder |
R. Strauss | Rosenkavalier-Suite Op. 59 |
| 9 Feb 2001 | Ensemble Theater am Gleis, St. Gallen |
Rudolf Kelterborn | Ensemblebuch II |
Alfons Karl Zwicker | Tropfen auf Stein (UA) |
Rudolf Kelterborn | Ensemblebuch III |
| 14 Jan 2001 | Ensemble Theater am Gleis, Winterthur |
Jean-Claude Schlaepfer | Chant de lune |
| 25 Nov 2000 | Theater am Gleis Ensemble, Winterthur (Switzerland) |
Noriko Hisada | Landscape |
Yoritsune Matsudaira | Katsura |
| 3 & 5 Nov 1999 | ars cantata zürich, La Chappelle Ancienne, Zurich & Horgen |
Marcello | Concerto Grosso Op. 1 No. 4 |
Vivaldi | Magnificat RV. 611 |
Händel | Dixit Dominus |
| 18 Aug 2000 | Aspen Music Festival, Aspen, Colorado |
Schumann | Konzertstück for 4 horns |
| 17 Aug 2000 | Aspen Music Festival, Aspen, Colorado |
Deborah Barnekow | Deep Peace of the Quiet Earth to You |
| 9 Aug 2000 | Aspen Music Festival, Aspen, Colorado |
Stravinsky | Octet |
| 8 Aug 2000 | Aspen Music Festival, Aspen, Colorado, Family Concert |
Mendelssohn | Symphony No. 4 "Italian" |
| 19 Jul 2000 | Aspen Music Festival, Aspen, Colorado |
Susan Burkey | My masters' voices |
| 29 Jun 2000 | Aspen Music Festival, Aspen, Colorado |
Roshanne Etezady | Static |
| 27 Jun 2000 | Aspen Music Festival, Aspen, Colorado |
Saint-Saëns | Violin Concerto No. 3 |
| 20 May 2000 | ars cantata zürich |
Händel | The Messiah |
| 15 & 16 Apr 2000 | ars cantata zürich & Bläsersolisten Aargau, Zurich & Stäfa (Switzerland) |
Honegger | King David (original version) |
| 3 Mar 2000 | Filharmonia Sudecka, Walbrzych (Poland) |
Denise Fedeli | Miraggi |
Mozart | Violin Concerto K.219 |
Rachmaninov | Symphony 2 |
| 3 Feb 2000 | Filharmonie Bohuslava Martinu, Zlín |
F.X. Richter | Symphony in f minor |
Vivaldi | Recorder concerto RV 443 |
Telemann | Suite in a minor |
Shostakovich | Symphony 9 |
| 31 Dec 1999 / 8 & 14 Jan 2000 | Bläsersolisten Aargau, Schloss Wartegg, Rorschacherberg, Aarau, Lucerne |
Matthias Steinauer | Vision |
Prokofiev | Visions Fugitives |
Alfred Felder | Visions |
Mela Meierhans | Na? (1st perf.) |
| 27 & 28 Nov 1999 | ars cantata zürich, Kammerchor Chur & basel sinfonietta, Zurich & Chur |
Fortunat Frölich | Missa verde (1st perf.) |
| 24 Sep 1999 | Orchestre de chambre jurassien, Porrentruy |
Purcell | Suite, Dioclesian |
Elgar | Serenade for Strings |
Ireland | Concertino Pastorale |
Holst | St. Paul's Suite |
| 20 Jun 1999 | Roosevelt Ensemble, Washington, D.C. |
New pieces for ensemble by Swiss and American composers, including: | |
Mela Meierhans | Almah |
Maria Niederberger | Oboe Concerto (1st perf.) |
Beth Anderson | August Swale |
| 23 & 24 Apr 1999 | ars cantata zürich, Bläsersolisten Aargau |
Gesualdo | Motets |
Stravinsky | Octet |
Stravinsky | Mass |
Stravinsky | smaller pieces for winds and for choir a cappella |
| 27 & 28 Mar 1999 | Motettenchor Region Basel, Peterskirche Basel & Katharinenkirche Laufen |
Rossini | Petite Messe Solennelle |
| 19 Mar 1999 | Filharmonia Sudecka, Walbrzych, Poland |
Bettina Skrzypczak | SN 1993 J |
Mahler | Lieder eines fahrenden Gesellen |
Honegger | Symphony 3 |
| 5 & 12 Feb 1999 | Orchestre de chambre jurassien, Moutier & Delémont |
Grieg | Holberg Suite |
Gade | Noveletten Op. 53 |
Sibelius | Rakastava |
Gordon Jacob | Suite for treble recorder and strings |
| 11 Dec 1998 | Music Academy Orchestra, Basel |
Brahms | Symphony 1 |
| 14 & 15 Nov 1998 | ars cantata zürich, Motettenchor Region Basel & Filharmonie Bohuslava Martinu, Predigerkirche Zurich, Martinskirche Basel |
Brahms | Ein deutsches Requiem |
| Conducting Positions Held | |
1992 | Permanent Guest Conductor, Filharmonie Bohuslava Martinu Zlín, Czech Republic |
1994 | Guest Conductor, Slovak Sinfonietta, Zilina, Filharmonia Sudecka, Walbrzych, Poland |
1992 | Music Director, ars cantata zürich, Switzerland |
1997-99 | Music Director, Orchestre de chambre jurassien |
1992-99 | Conductor of Motettenchor Region Basel, Kammerorchester Collegio |
1986-89 | Musical Director, Cambridge University Gilbert and Sullivan Society |
1983-88 | Conductor of Newnham College and Trinity Hall Music Societies, Cambridge, England |
| Concerts as guest conductor with: | |
Zürcher Kammerorchester; Radio-Sinfonieorchester Basel; Basler Sinfonieorchester; Stadtorchester Winterthur; Symphonisches Orchester Zürich; Bläsersolisten Aargau; Theater am Gleis; Conservatoire orchestras in Zurich, Bern and Winterthur, Switzerland. | |
Westbohemian Symphony Orchestra, Mariánské Lázne; Bohemian Chamber Philharmonic, Pardubice; Severoceská Filharmonie, Teplice; Leos Janácek Filharmonie, Ostrava; Filharmonie Bohuslava Martinu, Zlín, Czech Republic; | |
Slovak Sinfonietta, Zilina, Slovakia; | |
State Philharmonic, Wroclaw; Filharmonia Sudecka, Walbrzych, Poland; | |
Divertisment, St Petersburg, Russia. | |
Roosevelt Ensemble, Washington, D.C. | |
CD recordings and radio broadcasts in Switzerland and the Czech Republic. | |
| Competitions and Awards | |
1994 | Prizewinner, Leeds Conductors' Competition |
1992 & 1993 | First Prize, Schweizerische Tonkünstlerverein Conducting Competition |
1990 | Tillett Trust award to attend Basel Music Academy |
1990 | Basel Music Academy Scholarship |
1989 | Finalist, National Association of Youth Orchestras Conducting Competition |
1988 | First Sue Williams Bursary |
| Musical Education | |
Basel Music Academy (1989-93), Postgraduate Diploma in Conducting (conducting teachers Ralf Weikert, Horst Stein, Lothar Zagrosek, Wilfried Boettcher; composition teacher Rudolf Kelterborn) | |
Orchestergesellschaft Biel, Stadtorchester Winterthur, Basler Sinfonieorchester, Radio-Sinfonieorchester Basel, International Opera Studio Zurich | |
Newnham College, Cambridge (1983-87), M.A. Hons in Music (conducting teachers Robin Page and Simon Johnson) | |
| Master Classes | |
American Academy of Conducting at Aspen, summer 2000 (with David Zinman, Murry Sidlin, Michael Stern and Jorma Panula) | |
Tonhalle Orchestra Zurich, October 1996 (with David Zinman) | |
Musik-Akademie der Stadt Basel, New Music Workshops (with Witold Lutoslawski, Werner Heider) | |
Symphonic Workshops 1992, Marienbad and Zlín, Czech Republic (with Kirk Trevor, Zdenek Bílek and Karol Stryja) | |
Wiener Meisterkurse 1989, Vienna (with Julius Kalmar) | |
Hereford Summer School 1988, 1989, 1992, Hereford (with Simon Johnson) | |
ORCHESTRAL
Permanent Guest Conductor of Bohuslav Martinu Philharmonie Zlín since my Assistantship during the season 1992-93; since then 17 concerts, tours to Switzerland and Austria and CD recordings.
Organised, raised funding for and conducted tour of BMP to Switzerland in November 1994: three concerts of symphonic and choral music.
At Aspen (2000), conducted Saint-Saëns' Violin Concerto 3 and Mendelssohn Symphony 4 in Festival concerts; conducted Brahms' Serenade in D, Schumann's Konzertstück for four horns and the Stravinsky Octet in concerts I organised myself.
Stepped in at short notice to replace chief conductor Petr Skvor for tour of four concerts with the Bohemian Chamber Philharmonic in November 1993.
Invitations to guest conduct orchestras in Switzerland, Poland, Russia, Slovakia and the Czech Republic.
Invited to be first guest conductor of the Aargauer Kammersolisten (now Bläsersolisten Aargau): concert, rehearsal and interview were broadcast on Swiss TV. Since then further tours.
Formed own symphony orchestra for 2 concerts in the Cambridge University Music School while a student, and a wind ensemble for 2 concerts outside the university.
Formed own string orchestra (Collegio) in Basel; a debut concert of Czech music included the first performance in the west of Domazlicky's Suita Danza.
Conductor of the Newnham College Raleigh Music Society between 1983-87, for 7 choral and/or orchestral concerts; invited to conduct Trinity Hall Music Society in 5 concerts 1985-86.
At Aspen, conducted My Masters' Voices, a work for ensemble by Susan Burkey and the first performances of Static by Roshanne Etezady and Deep Peace of the Quiet Earth to You by Deborah Barnekow.
Conducted the first performance of Na?, a work for wind ensemble by Mela Meierhans in a concert for the Millenium Eve entitled "Visions" and including works by Prokofiev, Alfred Felder and Matthias Steinauer.
Conducted the first performances and recording of Missa Verde, a 60-minute orchestral and choral work by Fortunat Frölich, in November 1999.
Recorded a CD of orchestral music by young Swiss composers, to be released in 2000.
Conducted new series of orchestral jingles for Swiss Radio DRS by Mela Meierhans, summer 1998.
Performed pieces by Alfred Felder and Louisa Lasdun with Divertismento St. Petersburg in May 1998.
Conducted pieces by Rudolf Kelterborn and Bettina Skrzypczak in the last-ever concert of the Radio-Sinfonieorchester Basel in June 1997.
Conducted Miracles de l'enfance as part of the Swiss Radio DRS Festival of music by Albert Moeschinger, March 1997.
Premiered Vom Klang der Bilder, a 74-minute orchestral cycle by A K Zwicker. This involved a first performance in Zlín (3 May 1996), followed by a tour to Zürich and St Gallen. The concert was broadcast by Swiss Radio DRS2, who co-produced the CD with MGB (CD 6151, released August 1998).
First performances include pieces by Felix Baumann, Andrew Lovett, Louisa Lasdun, A K Zwicker, Markus Wettstein, Felix Profos and Christoph Neidhöfer: this last in a concert by the Basel Musik Forum.
Conducted pieces by Morton Feldman, H-C von Dadelsen and Werner Heider as part of course in twentieth-century chamber music at Basel Music Academy.
Participated in a course with Witold Lutoslawski at the Basel Music Academy, concentrating on the Cello concerto and Jeux vénitiens.
1995-1997 Assistant on productions of Don Giovanni, Marriage of Figaro and Paul Bunyan.
Musical Director of three productions by Cambridge University Gilbert and Sullivan Society, fully-staged and with a cast of 30 and a professional orchestra, at the Minack Theatre, Cornwall, and the Arts Theatre Cambridge.
Musical director of fully-staged productions of musicals with a cast of 40 amateurs in Potton, Beds.
Stage manager and/or musical director in Cambridge student theatre (1984-86).
Commissioned and conducted the first performance of "In meinen Träumen " by Louisa Lasdun, spring 1998.
Invited to direct a year's project in Allschwil (near Basel) to develop community music-making, and leading to performances of Hermann Suter's Le Laudi, involving around 180 experienced and inexperienced singers and instrumentalists of all age-groups.
Wide experience of choral music, having sung regularly in 10 choirs (including The Bach Choir and the National Youth Choir of Great Britain) and been conductor of 9, ranging from church or college chapel choirs to auditioned chamber choirs to large choral societies which give concerts with professional orchestras.
Singing weekend workshops held regularly with choirs in England and Switzerland.
Teacher at Stevenage Music School, 1988-1989.
Private teacher of conducting students, 1994-present.
Member of Incorporated Society of Musicians (England) and Schweizerischer Berufs-dirigentenverband (Switzerland).
Languages: English (mother tongue), German, French, some Italian, Czech.