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Monica Buckland Hofstetter

Music Director - Ars Cantata Zürich, Switzerland
Artistic Director - University of Dresden, Germany

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Photo of Monica Buckland Hofstetter

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The British-Swiss conductor Monica Buckland Hofstetter grew up in England, and studied at Newnham College, Cambridge, the Basel Music Academy and the American Academy of Conducting at Aspen.

In 1992-93, she served as Assistant Conductor to the Bohuslav Martinu Philharmonie Zlín (Czech Republic), and since then she has been its Permanent Guest Conductor. She frequently appears as a guest conductor with several orchestras in Poland, Slovakia, Russia, and the Czech Republic. In Switzerland, she works regularly with the Bläsersolisten Aargau and Ars Cantata Zürich, and has conducted the Tonhalle Orchestra, Zürcher Kammerorchester, Musikkollegium Winterthur, Theater am Gleis Ensemble, Basel Sinfonieorchester, and the Symphonisches Orchester Zürich. In June 1997, Ms. Buckland Hofstetter had the honor of conducting the farewell concert of the Radio-Sinfonieorchester Basel. In summer 1999, she made her US debut conducting a program of new music by women composers in Washington, DC.

Her first two CDs, Vom Klang der Bilder (an orchestral cycle by the Swiss composer AK Zwicker) and missaverde (a large choral work by Fortunat Frölich), reflect Ms. Buckland Hofstetter's commitment to contemporary music. She has conducted many first performances of music by living composers, and has worked closely with composers such as Witold Lutoslawski, Rudolf Kelterborn, Andrew Lovett, Mela Meierhans, and Helmut Lachenmann on interpretations of their music. A third CD of new Swiss music is scheduled for release later this year.

Monica Buckland Hofstetter has won several awards, including a scholarship to the Basel Music Academy, a prize at the Leeds Conductors' Competition (England) in 1994, and the conducting prize of the Swiss Musicians' Association / Kiefer-Hablitzel Foundation in 1992 and 1993.

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PRESS ACCLAIM

 

"Buckland understands how to handle musicians, and takes an unmistakable pleasure in bold, passionate action. The precise and balanced performance in Dvořák's 8th Symphony was pre-eminently the long viola and cello legatos that reflected her interpretation. Buckland enchantingly molded the dynamic developments, often playing sudden contrasts against each other. Cheerfulness and melancholy wrapped round one another. First impressions bode well for Monica Buckland's ability to combine her amazing power with the orchestra's no less sizeable strength."

 

Sinfonieorchester der TU Dresden:
Mendelssohn, Beethoven, Dvořák Dresdner Neueste Nachrichten
June 10, 2008

 

"Under the masterful leadership of Monica Buckland, the Tonhalle Orchestra achieved a rich and colourful sound."

 

Tages-Anzeiger, May 22, 2004

 

"Monica Buckalnd possesses a differentiated and expressive technique, and her conducting is analytical and acute. The Tonhalle Orchestra reacts swiftly and subtly, fully responsive to the energy of the conductor."

 

Der Zürcher Oberländer - May 21, 2004

 

"My sincere admiration for a performance glowing with inner fire."

 

NZZ - May 21, 2004

 

"Antonin Dvořák, Léos Janáček, Bohuslav Martinu, Petr Eben and Josef Bohuslav Foerster … seldom have these pieces, so rarely heard, been performed so convincingly.

An hour of celebration for the creators of these works and an all-too-short one for the audience. As usual, many small and apparently trivial details are actually decisive for such a convincing success. There was one fundamental reason - certainly not a detail - for this superb result: the conducting of Monica Buckland. It may appear invidious to pick out someone from the overall concept - but nevertheless, the marked signature, the line, the character, all indicate that the reason for success lay in the hands of conductor Monica Buckland. Her unshowy authority [is] a style of conducting that allows the audience time and space to concentrate entirely on dramaturgy of the pieces."

 

Domenic Buchli, Bündner Tagblatt, 19 February 2002

 

"…this semi-staged production [of Purcell's King Arthur] was a rewarding and spectacular performance.

Monica Buckland conducted the Chapelle Ancienne and the choir Ars Cantata energetically and with consummate authority. … This was altogether an enormous musical pleasure."

 

Michael Eidenbenz, Tages-Anzeiger, 28 January 2002

 

Fremdes Japan
Ensemble Theater am Gleis, Winterthur:

 

"The conductor Monica Buckland piloted the TaG Ensemble safely through the varied depths of this contemporary Japanese music."

 

Der Landbote 28.11.00

 

Vivaldi & Telemann, recorder concertos
Shostakovich Symphony No. 9
Bohuslav Martinu Philharmonie Zlín:

 

"The likeable conductor … presented the orchestra not just as a completely reliable accompanist, but also brought out its melodic line and harmonic fullness. … Monica Buckland Hofstetter presented herself not just as a talented conductor who makes orchestral works sound like chamber music, but her performance was particularly convincing when she brought out particular passages [of the Shostakovich] in their various shadings."

 

DNES 7.2.00

 

Luzerner Zeitung 11.1.00
Mela Meierhans, Na?:

 

"Exciting, commited and authoritative music-making."

 

Alfred Felder, Vision

 

Mela Meierhans, Na? (UA):

 

"…the conductor, Monica Buckland Hofstetter - who by the way was exemplary throughout the whole evening, precisely and sensitively mastering the difficult task of conducting…"

 

Ostschweizer Tagblatt 4.1.00

 

Fortunat Frölich, missa verde:

 

"Missa verde was premiered in a committed performance under the supremely" good conducting of Monica Buckland Hofstetter.

 

Neue Zürcher Zeitung, 29.11.99

 

Fortunat Frölich, missa verde
Premiere: basel sinfonietta, Ars Cantata Zürich, Coramor and Kammerchor Chur:

 

"A discovery and a great prize for the concert was the musical director, Monica Buckland Hofstetter. This director… is a very good orchestral conductor. Every entry was given, the choir was actively supported, the soloists were able to rely on her. And thus the interpretation of Missa verde also became an experience that will long remain."

 

Die Südostschweiz, 30.11.99

 

The Roosevelt Ensemble, NMWA, Washington, D.C.:

 

"…an elegant and polished performance."

 

Washington Post, 22.6.99

 

CD: Alfons Karl Zwicker, Vom Klang der Bilder
Bohuslav Martinu Philharmonie Zlín :

 

"The dynamic conductor Monica Buckland Hofstetter…relies on her extraordinary ability, which rapidly gains respect from even hardened professionals…Her latest CD…demonstrates her thorough understanding of modern music's expressive possibilities."

 

Blick, 12.4.99

 

Gioacchino Rossini, Petite messe solennelle Motettenchor Basel :

 

"…[Monica Buckland Hofstetter] understood how to present the …Petite Messe Solennelle with passion and conviction. Precise entries, the choir's harmonious articulation…gave the necessary strength to the singing and delighted the plentiful audience."

 

Basler Zeitung, 30.3.99

 

Gioacchino Rossini, Petite messe solennelle Motettenchor Basel :

 

"…the carefree nature of the composition was mirrored in her interpretation…it was a pleasure to listen. The invigorating freshness of the overall interpretation was highly welcome, and above all, believable."

 

BZ, 29.3.99

 

J. Brahms, Ein deutsches Requiem
Ars Cantata Zürich, Motettenchor Basel & Bohuslav
Martinu Phiharmonic Zlín:

 

"…an impressive effect: the conductor led the orchestra in an exciting intensification, fully conveying the drama of the subject and music."

 

BZ, 17.11.98

 

Radio-Sinfonieorchester Basel, farewell concert: (Kelterborn and Skrzypczak):

 

"Monica Buckland Hofstetter was much more impressive. She led the musicians effortlessly, at the same time giving them the support they needed…she and the Radio-Sinfonieorchester achieved an emotionally exciting interpretation, demonstrating above all the poetry of the music."

 

BZ, 28.6.97

 

A. Moeschinger, Miracles de l'Enfance Basel Music Academy:

 

"This very delicate and subtle work requires simplicity and transparency. Under Monica Buckland Hofstetter the performers were able to demonstrate exactly this."

 

Bastler Zeitung, 11.3.97

 

R. Strauss, Don Juan Tonhalle Orchestra:

 

"The energetic dynamism of Monica Buckland Hofstetter was completely convincing…her individual approach to the interpretation was apparent very rapidly, a good testimonial for this conductor."

 

Muzik + Theater, Tonhalle Forum, November 1996

 

A.K. Zwicker, Vom Klang der Bilder
Bohuslav Martinu Filharmonie Zlín,:

 

"In the end, Vom Klang der Bilder was produced in close partnership with Monica Buckland Hofstetter, who prepared and led the Bohuslav Martinu Filharmonie Zlin excellently. The orchestra members gave the impression of playing their handwritten parts precisely to the last detail."

 

Die Ostschweiz, 11.5.96

 

Bernstein, Chichester Psalms
ars cantata zürich, Elisabethenkirche Basel:

 

"The conductor, Monica Buckland Hofstetter, grasped this piece in an unforced way, naturally and confident of the desired effects…a beautiful mood."

 

BZ, 23.4.96

 

H. Suter, Le Laudi KulturFrühling Allschwil:

 

"The greatest share of the success was earned by musical director Monica Buckland Hofstetter. Her unobtrusive conducting gestures demonstrated both staying power and impressive volume in this mature performance. Her interpretation was without flourishes and apparently effortless: Le Laudi shone without false glitter. The enormous effort has paid off and deserves infinte praise."

 

Basler Zeitung, 22.5.95

 

Dvorák, Stabat Mater
ars cantata & Stadtorchester Winterthur
Tonhalle, Zürich:

 

"Discipline, rhythmic and dynamic precision and excellent expressive ability… this young conductor, whose future promises success, proved herself this evening not only as a skilled choirmaster, but as a confident orchestral conductor, who led the Winterthurer Stadtorchester in a convincing performance…"

 

NZZ, 31.5.94

 

Weill evening
Aargauer Kammersolisten
Künstlerhaus Boswil:

 

"What Monica Buckland Hofstetter conjured out of the orchestra was more than worth hearing. This effervescent music was given with such a sensitive interpretation, in all its detail…that this famous suite never became a showy potpourri, but instead a striking work of art."

 

Aargauer Tagblat, 25.10.94

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REPERTOIRE PERFORMED SINCE 1992

ORCHESTRAL WORKS

Bartók

Concerto for Orchestra

Beethoven

Overtures: Fidelio, Prometheus

 

Symphonies 2, 6, 7

Benda

Symphony in B flat

Bizet

Symphony 1, Suite, L'Arlesienne

Brahms

Symphony 1, Serenade Op. 16

Aaron Copland

Symphony 3

Corelli

Concerto grosso Op 6 No 4

F. Domazlicky

Suita Danza

Durante

Primo concerto per orchestra d'archi

Dvorák

Symphony 8, Czech Suite

 

Serenades Opp. 22 & 44

Elgar

Introduction and Allegro, Serenade

 

Overture, Cockaigne

Gade

Noveletter Op. 53

Grieg

Symphony, Holberg Suite

Haydn

Symphonies 83, 93, 94, 103

Fanny Hensel

Overture in C

Holst

St Paul's Suite

Honegger

Symphony 3

Ireland

Concertino Pastorale

Janácek

Suite for Strings

Marcello

Concerto grosso Op. 1 No. 4

Martinu

Partita

Felix Mendelssohn

Symphony 4

Mozart

Symphonies K. 504, 543, 551

Myslivecek

Wind Serenade

Nicolai

Overture: Lustige Weiber

Puccini

Crisantemi

Purcell

Suite, Dioclesian

Rachmaninov

Symphony 2

Richter

Symphony in e minor

Rota

Concerto per archi

Schmelzer

Die Fechtschule

Schoeck

Sommernacht

Schubert

Symphonies 4, 9

Schumann

Overture: Manfred

Shostakovich

Symphony 9

Sibelius

Rakastava

Joh. Strauss I

Radetzky Marsch, Indianer-Galopp

Joh. Strauss II

Overture: Die Fledermaus

 

Waltzes: Blue Danube, Wiener Blut,

 

Geschichten aus dem Wienerwald, Donauweibchen

 

Polkas: Explosions; Donner und Blitzen

Josef Strauss

Polkas: Die Emanzipierte, Eingesendet

Stravinsky

Octet

R. Strauss

Till Eulenspiegel, Don Juan,

 

Rosenkavalier Suite Op. 59

Suk

Serenade for Strings, Pohádka

Tchaikovsky

Serenade for Strings

Telemann

Don Quixote, Overture in D

Vivaldi

Concerto grosso Op. 3 No. 11

Wagner

Prelude, Die Meistersinger

Weber

Overture: Oberon

Webern

Symphony Op. 21

Weill

Kleine Dreigroschenmusik

 

CONCERTANTE WORKS

Bach

Concerto for 2 Violins in d minor

Brahms

Violin concerto

Chausson

Poème

Chopin

Variations sur "Là ci darem la mano"

Domazlicky

Violin concerto 2

Giuliani

Guitar concerto Op. 30

Gordon Jacob

Suite for treble recorder and strings

Liszt

Piano concerto 1

Mahler

Lieder eines fahrenden Gesellen,

 

Rückert-Lieder

Marcello

Oboe concerto

Martin

6 Monologe aus Jedermann

Martinu

Rhapsody Concerto

Albert Moeschinger

Miracles de l'Enfance

Mozart

Exsultate Jubilate, Violin concerto K.219

Paganini

Violin concerto 1

Poulenc

Organ concerto

Ravel

Tzigane

Rachmaninov

Piano concerto 2

Rodrigo

Concierto de Aranjuez

Saint-Saëns

Violin Concerto 3

Sarasate

Zigeunerweisen

Schumann

Cello concerto, Konzertstück (4 horns)

Tchaikovsky

Piano concerto 1

Telemann

Suite in a minor

Vieuxtemps

Violin concerto 5

Vivaldi

Piccolo concertos RV 443 & 444

Weill

Violin concerto

 

MAJOR CHORAL WORKS

J.S.Bach

Johannespassion, Magnificat, Motets

Leonard Bernstein

Chichester Psalms

Lili Boulanger

Psaume 24

Brahms

Ein deutsches Requiem

Bruckner

Mass in e minor

Dvorák

Stabat Mater, Mass in D

Fortunat Frölich

Missaverde

Handel

The Messiah, Dixit Dominus,

 

Coronation Anthems

Haydn

Harmoniemesse

Honegger

Le roi David

Hans Huber

Aus Goethes west-östlichem Divan

Kodály

Missa Brevis

William Mathias

A May Magnificat

Mendelssohn

Motets: Aus tiefer Not, Hör mein Bitten

Orff

Carmina Burana

Arvo Pärt

Berliner Messe

Poulenc

Gloria, Mass in G

Rossini

Petite Messe Solennelle

Schubert

Mass in G D.167

Schütz

German Magnificat, Psalmen Davids

Stravinsky

Mass

Hermann Suter

Le Laudi

Vaughan Williams

Five Mystical Songs

Vivaldi

Gloria, Magnificat

 

NEW MUSIC

Deborah Barnekow

Deep peace of the quiet earth to you

Felix Baumann

Quintet

Susan Burkey

My Masters' Voices

Caroline Charrière

Trauerfarben und Verklärung

H-C von Dadelsen

Kamel

Roshanne Etezady

Static

Denise Fedeli

Miraggi

Alfred Felder

Vision

Morton Feldman

The viola in my life

Noriko Hisada

Landscape

Ursula Jansveld

Lied der Einsamkeit

Rudolf Kelterborn

Vier Nachtstücke, Sappho-Lieder,

 

Gesänge zur Nacht, Erinnerungen an Orpheus,

 

Ensemble-bücher II & III

Louisa Lasdun

Fractal, In meinen Träumen…

Andrew Lovett

Octet, Aria d'Arturo

Yoritsune Matsudaira

Katsura

Jost Meier

Mouvement dans l'immobile

Mela Meierhans

Vagabundinnen, Almah, Jingles, Na?

Messiaen

Couleurs de la cité céleste

Ch. Neidhöfer

August Stramm Lieder

Maria Niederberger

Oboe Concerto

Arvo Pärt

Silouans Song, Festina Lente, Summa

Felix Profos

Variationen

Jean-Claude Schlaepfer

Chant de lune

Bettina Skrzypczak

SN 1993 J

Matthias Steinauer

Visionen

Markus Wettstein

Nah-fern/leicht-schwer-leicht

A.K. Zwicker

Vom Klang der Bilder

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PERFORMANCES in recent seasons have included:

23 Feb 2001

Filharmonia Sudecka, Walbrzych

Ursula Silea Jansveld-Küenzi

Lied der Einsamkeit

Honegger

Symphon N. 4 "Deliciae Basiliensis"

Mahler

Rückert-Lieder

R. Strauss

Rosenkavalier-Suite Op. 59

9 Feb 2001

Ensemble Theater am Gleis, St. Gallen

Rudolf Kelterborn

Ensemblebuch II

Alfons Karl Zwicker

Tropfen auf Stein (UA)

Rudolf Kelterborn

Ensemblebuch III

14 Jan 2001

Ensemble Theater am Gleis, Winterthur

Jean-Claude Schlaepfer

Chant de lune

25 Nov 2000

Theater am Gleis Ensemble, Winterthur (Switzerland)

Noriko Hisada

Landscape

Yoritsune Matsudaira

Katsura

3 & 5 Nov 1999

ars cantata zürich, La Chappelle Ancienne, Zurich & Horgen

Marcello

Concerto Grosso Op. 1 No. 4

Vivaldi

Magnificat RV. 611

Händel

Dixit Dominus

18 Aug 2000

Aspen Music Festival, Aspen, Colorado

Schumann

Konzertstück for 4 horns

17 Aug 2000

Aspen Music Festival, Aspen, Colorado

Deborah Barnekow

Deep Peace of the Quiet Earth to You

9 Aug 2000

Aspen Music Festival, Aspen, Colorado

Stravinsky

Octet

8 Aug 2000

Aspen Music Festival, Aspen, Colorado, Family Concert

Mendelssohn

Symphony No. 4 "Italian"

19 Jul 2000

Aspen Music Festival, Aspen, Colorado

Susan Burkey

My masters' voices

29 Jun 2000

Aspen Music Festival, Aspen, Colorado

Roshanne Etezady

Static

27 Jun 2000

Aspen Music Festival, Aspen, Colorado

Saint-Saëns

Violin Concerto No. 3

20 May 2000

ars cantata zürich

Händel

The Messiah

15 & 16 Apr 2000

ars cantata zürich & Bläsersolisten Aargau, Zurich & Stäfa (Switzerland)

Honegger

King David (original version)

3 Mar 2000

Filharmonia Sudecka, Walbrzych (Poland)

Denise Fedeli

Miraggi

Mozart

Violin Concerto K.219

Rachmaninov

Symphony 2

3 Feb 2000

Filharmonie Bohuslava Martinu, Zlín

F.X. Richter

Symphony in f minor

Vivaldi

Recorder concerto RV 443

Telemann

Suite in a minor

Shostakovich

Symphony 9

31 Dec 1999 /
8 & 14 Jan 2000

Bläsersolisten Aargau, Schloss Wartegg, Rorschacherberg, Aarau, Lucerne

Matthias Steinauer

Vision

Prokofiev

Visions Fugitives

Alfred Felder

Visions

Mela Meierhans

Na? (1st perf.)

27 & 28 Nov 1999

ars cantata zürich, Kammerchor Chur & basel sinfonietta, Zurich & Chur

Fortunat Frölich

Missa verde (1st perf.)

24 Sep 1999

Orchestre de chambre jurassien, Porrentruy

Purcell

Suite, Dioclesian

Elgar

Serenade for Strings

Ireland

Concertino Pastorale

Holst

St. Paul's Suite

20 Jun 1999

Roosevelt Ensemble, Washington, D.C.

New pieces for ensemble by Swiss and American composers, including:

Mela Meierhans

Almah

Maria Niederberger

Oboe Concerto (1st perf.)

Beth Anderson

August Swale

23 & 24 Apr 1999

ars cantata zürich, Bläsersolisten Aargau

Gesualdo

Motets

Stravinsky

Octet

Stravinsky

Mass

Stravinsky

smaller pieces for winds and for choir a cappella

27 & 28 Mar 1999

Motettenchor Region Basel, Peterskirche Basel & Katharinenkirche Laufen

Rossini

Petite Messe Solennelle

19 Mar 1999

Filharmonia Sudecka, Walbrzych, Poland

Bettina Skrzypczak

SN 1993 J

Mahler

Lieder eines fahrenden Gesellen

Honegger

Symphony 3

5 & 12 Feb 1999

Orchestre de chambre jurassien, Moutier & Delémont

Grieg

Holberg Suite

Gade

Noveletten Op. 53

Sibelius

Rakastava

Gordon Jacob

Suite for treble recorder and strings

11 Dec 1998

Music Academy Orchestra, Basel

Brahms

Symphony 1

14 & 15 Nov 1998

ars cantata zürich, Motettenchor Region Basel & Filharmonie Bohuslava Martinu, Predigerkirche Zurich, Martinskirche Basel

Brahms

Ein deutsches Requiem

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Conducting Positions Held

1992

Permanent Guest Conductor, Filharmonie Bohuslava Martinu Zlín, Czech Republic

1994

Guest Conductor, Slovak Sinfonietta, Zilina, Filharmonia Sudecka, Walbrzych, Poland

1992

Music Director, ars cantata zürich, Switzerland

1997-99

Music Director, Orchestre de chambre jurassien

1992-99

Conductor of Motettenchor Region Basel, Kammerorchester Collegio

1986-89

Musical Director, Cambridge University Gilbert and Sullivan Society

1983-88

Conductor of Newnham College and Trinity Hall Music Societies, Cambridge, England

Concerts as guest conductor with:

Zürcher Kammerorchester; Radio-Sinfonieorchester Basel; Basler Sinfonieorchester; Stadtorchester Winterthur; Symphonisches Orchester Zürich; Bläsersolisten Aargau; Theater am Gleis; Conservatoire orchestras in Zurich, Bern and Winterthur, Switzerland.

Westbohemian Symphony Orchestra, Mariánské Lázne; Bohemian Chamber Philharmonic, Pardubice; Severoceská Filharmonie, Teplice; Leos Janácek Filharmonie, Ostrava; Filharmonie Bohuslava Martinu, Zlín, Czech Republic;

Slovak Sinfonietta, Zilina, Slovakia;

State Philharmonic, Wroclaw; Filharmonia Sudecka, Walbrzych, Poland;

Divertisment, St Petersburg, Russia.

Roosevelt Ensemble, Washington, D.C.

CD recordings and radio broadcasts in Switzerland and the Czech Republic.

Competitions and Awards

1994

Prizewinner, Leeds Conductors' Competition

1992 & 1993

First Prize, Schweizerische Tonkünstlerverein Conducting Competition

1990

Tillett Trust award to attend Basel Music Academy

1990

Basel Music Academy Scholarship

1989

Finalist, National Association of Youth Orchestras Conducting Competition

1988

First Sue Williams Bursary

Musical Education

Basel Music Academy (1989-93), Postgraduate Diploma in Conducting (conducting teachers Ralf Weikert, Horst Stein, Lothar Zagrosek, Wilfried Boettcher; composition teacher Rudolf Kelterborn)

Orchestergesellschaft Biel, Stadtorchester Winterthur, Basler Sinfonieorchester, Radio-Sinfonieorchester Basel, International Opera Studio Zurich

Newnham College, Cambridge (1983-87), M.A. Hons in Music (conducting teachers Robin Page and Simon Johnson)

Master Classes

American Academy of Conducting at Aspen, summer 2000 (with David Zinman, Murry Sidlin, Michael Stern and Jorma Panula)

Tonhalle Orchestra Zurich, October 1996 (with David Zinman)

Musik-Akademie der Stadt Basel, New Music Workshops (with Witold Lutoslawski, Werner Heider)

Symphonic Workshops 1992, Marienbad and Zlín, Czech Republic (with Kirk Trevor, Zdenek Bílek and Karol Stryja)

Wiener Meisterkurse 1989, Vienna (with Julius Kalmar)

Hereford Summer School 1988, 1989, 1992, Hereford (with Simon Johnson)

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ORCHESTRAL

NEW MUSIC

THEATRE

CHORAL

OTHER

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