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Erin R. Freeman

Director of Orchestras - Baltimore School for the Arts
Associate Conductor - Richmond Symphony

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Photo of Erin Freeman

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Equally at home in the orchestral, choral and opera worlds, Erin Freeman is the newly appointed Associate Conductor of the Richmond Symphony Orchestra. Her responsibilities include conducting the popular intergenerational Genworth Financial Kicked Back Classics Series and Kicked Back Classics - CLUB, leading the Wachovia Securities Pops Series, and artistic direction for the Symphony's education initiatives including its four youth orchestras. In addition, she is the James Erb Choral Chair as Director of the 130-voice Richmond Symphony Chorus.

No stranger to Central Virginia, Dr. Freeman was formerly Music Director of the Richmond Philharmonic conducting the 70-piece orchestra and garnering attention from WCVE, Richmond's National Public Radio station which broadcast numerous concerts, and from the National Endowment of the Arts who supported the orchestra's outreach initiatives with generous funding.

An enthusiastic champion of music education for all ages Dr. Freeman has served as Director of Orchestras at the critically acclaimed Baltimore School for the Arts, lecturer for the National Philharmonic and the Baltimore Symphony Orchestra, and Resident Conductor at Peabody Conservatory where she taught in the choral, orchestral and opera departments. Dr. Freeman was Music Director of Collegium Vocale, a competitively auditioned choral ensemble located at Emory University in her hometown of Atlanta, Georgia. As a past guest conductor of the Savannah Symphony Orchestra she conducted outreach concerts, young people's concerts and joint choral-orchestral performances.

The press has described her conducting style as "Dynamic but Grounded" and "Sensitive," while audiences have deemed her "inspiring," "animated," "entertaining," and "thoroughly charming."

At the age of seventeen, Dr. Freeman was accepted as the youngest member of the Atlanta Symphony Chorus, under the direction of the late Robert Shaw, and continued that association singing with the Atlanta Symphony Chamber Chorus and the Robert Shaw Memorial Singers. With a voice that the Boston Globe called "Virginal of timbre, pure of pitch," Dr. Freeman has performed as concert soloist under the batons of Mr. Shaw, James Conlon, and Ann Howard Jones, and on the opera stage as Susanna in The Marriage of Figaro, Mlle. Silberklang in The Impresario and Belinda in Dido and Aeneas.

Winner of numerous awards, including the Peabody's Baltimore Music Club Prize in Performance and the Women's Philharmonic conducting scholarship, Dr. Freeman received a Bachelor of Music in Vocal Performance from Northwestern University, a Masters degree in Conducting from the Boston University School for the Arts, and a Doctorate of Musical Arts in Orchestral Conducting with Gustav Meier and Markand Thakar at the Peabody Conservatory. Previously, she studied and performed with Robert Shaw, Helmut Rilling, Robert Spano, Jonathan Carney and Murry Sidlin.

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"Erin Freeman, the Richmond Symphony's new associate conductor, has inherited the Kicked Back Classics casual concert series from a string of maestros with highly varied inclinations; but she seems well on her way to making it her own.

Garbed in red and black, accessorizing with a demon's tail, leading a post-Halloween show in Toad's Place, a downtown nightclub that generally throbs to rock bands, Freeman proved to be both a genially energetic host and a concert programmer who garnishes fun with substance and subtlety."

Letter V - Nov 2, 2007

 

"Erin Freeman, associate conductor of the Richmond Symphony, capably handled her duties as conductor and as affable emcee and knowledgeable interpreter of the works. Her natural rapport with the audience and players worked well for the casual concert.

The highlight of the evening was Heinrich Biber's 'Battalia,' an eight-movement work from the 17th century that incorporates innovative sound devices and polytonality."

Lisa Crutchfield - Times-Dispatch - Oct 6, 2007

 

Sondheim Evening at Peabody:

"The big star was the orchestra, led sensitively by Erin Freeman."

Tim Smith, Music Critic, Baltimore Sun, March 21, 2006

 

"Conductor Erin Freeman made the score's most emphatic moments speak."

Tim Smith - Baltimore Sun - October 28, 2003

 

"Guest Conductor Erin R. Freeman obtained unusually rich and lyrical playing from the orchestra."

Clarke Bustard - Richmond Times-Dispatch, November 3, 2003

 

"On the podium, Freeman is dynamic but grounded. She remembers what her roll as conductor entails. Beyond the technical aspects comes much more - setting the tempo, expression and interpretation, but most importantly, listening."

Paula Williamson - Savannah Morning News, March 3, 1999

 

Testimonials

 

"The highlight of May was performing Gershwin's "Rhapsody in Blue" with the Richmond Philharmonic Orchestra, directed by Erin Freeman, who excites audience and performers, alike."

Russell Wilson - Pianist for the Smithsonian Jazz Orchestra - July 2006

 

"Erin is indeed on of the best conductors who have graduated from Peabody and I have no doubt that she can look forward to a bright future."

Gustav Meier - April 2006

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Recent Conducting Engagements

Richmond Symphony Youth Orchestra

Spring Concert

May 2008

Richmond Symphony

Kicked Back Classics Series

May 2008

Richmond Symphony Youth Orchestra

Winter Concert

Mar 2008

Richmond Symphony

Bach Festival Subscription Concert

Feb-Mar 2008

Richmond Symphony

Kicked Back Classics Series

Feb 2008

Richmond Symphony

Community Concert

Feb 2008

Richmond Symphony

Discovery Concerts

Jan 2008

Richmond Symphony

Wachovia Securities Symphony Pops

Dec 2007

Richmond Symphony

Messiah - Complete

Nov-Dec 2007

Richmond Symphony Youth Orchestra

Fall Concert

Nov 2007

Richmond Symphony

Kicked Back Classics Series

Nov 2007

Richmond Symphony

Wachovia Securities Symphony Pops

Oct 2007

Richmond Philharmonic

Broadway and Beyond: A Celebration of Song

Jun 2006

Baltimore School for the Arts Concert

Repertoire includes Dvořák Symphony No. 8

May 2006

Richmond Philharmonic

Repertoire includes Gershwin Rhapsody in Blue and Brahms Symphony No. 2

May 2006

Baltimore Symphony Orchestra,
Concert Artists of Baltimore,
Peabody Singers

John Adams On the Transmigration of Souls (Chorus Master)

Apr 2006

Baltimore School for the Arts Orchestra

Music Matinee Performances for Baltimore City Elementary Students. Repertoire includes Prokofiev Peter and the Wolf

Apr 2006

Peabody Opera Department

Music Director and Conductor of Mainstage Performance of Stephen Sondheim A Little Night Music

Mar 2006

Baltimore School for the Arts

"Expressions" Gala Performance

Mar 2006

Peabody Choral Ensembles

Kodaly Missa Brevis (Cover Conductor)

Mar 2006

Richmond Philharmonic

Repertoire includes John Adams Chairman Dances and Rachmaninoff Symphonic Dances

Feb 2006

Baltimore School for the Arts Orchestra

Repertoire includes J.C. Bach Symphony Opus 12/3 and Haydn "Surprise" Symphony

Feb 2006

Peabody Singers

Choral Composition Recording and Performance

Feb 2006

Richmond Philharmonic

Holiday Concert

Dec 2005

Peabody Choral Ensembles

Mozart Requiem (Cover Conductor)

Dec 2005

Richmond Philharmonic

Holiday Concert

Dec 2005

Baltimore School for the Arts Orchestra

Holiday Concert

Dec 2005

South Central Virginia Regional Orchestra (Guest Conductor)

Repertoire includes Sibelius Karelia Suite, Saint Saens Danse Macabre, and Verdi Overture to Nabucco

Nov 2005

Richmond Philharmonic

Repertoire includes Shostakovich Festive Overture and Tchaikovsky Symphony No. 4

Nov 2005

Baltimore School for the Arts Orchestra

Performance at the Baltimore Museum of Art in Conjunction with "Claude Monet in London" exhibit. Repertoire includes Handel Water Music and Elgar Sospiri.

Nov 2005

National Philharmonic

Interactive Performance of Tchaikovsky Symphony No. 4

Oct 2005

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Current Repertoire List

WORKS CONDUCTED IN PERFORMANCE

ORCHESTRAL:

Bach, JS

Cantata, BWV 210

Peabody Conservatory Players

Barber

Knoxville Summer of 1915, Op. 24

Aspen Summer Music Festival and School

 

[First] Essay for Orchestra, Op. 12

Baltimore School for the Arts Orchestra

Bartok

Romanian Folk Dances

Baltimore School for the Arts Orchestra

Beethoven

Piano Concerto No. 1, first movement

Richmond Philharmonic

Beethoven

Egmont Overture

Richmond Philharmonic

 

Symphony No. 1 in C Major

The Savannah Symphony Orchestra

 

Symphony No. 7 in A Major

Graduate Recital, Peabody Conservatory

 

Coriolanus Overture

Baltimore School for the Arts Orchestra

Bernstein

Overture to Candide

Richmond Philharmonic

Bizet

L'Arlesienne, Suites Nos. 1& 2

The Savannah Symphony Orchestra

 

Carmen Suite

Baltimore School for the Arts Orchestra

Borodin

Polvetsian Dances from Prince Igor

Richmond Philharmonic

Brahms

"Academic Festival" Overture

Richmond Philharmonic

 

Double Concerto, Op. 102

Peabody Conservatory

 

Hungarian Dances, Nos. 5 & 6

The Savannah Symphony Orchestra

Britten

Soirees Musicales

Baltimore School for the Arts Chamber Players

Chadwick

"Jubilee" and "Noel" from Symphonic Sketches

The Savannah Symphony Orchestra

Copland

Music for the Theatre

Aspen Summer Music Festival and School

 

Old American Songs, Set 1

Aspen Summer Music Festival and School

 

Fanfare for the Common Man

The Savannah Symphony Orchestra

 

Variations on a Shaker Theme

The Savannah Symphony Orchestra

Corelli

"Christmas" Concerto

Baltimore School for the Arts String Orchestra

De Beriot

Concerto for Violin and Orchestra, No. 9

Baltimore School for the Arts Orchestra

Dvořák

Symphony No. 9, "From the New World"

The Savannah Symphony Orchestra

 

Symphony No. 8 (Finale)

Baltimore School for the Arts Orchestra

Elgar

Variations of a Theme, "Enigma", Op. 36

Richmond Philharmonic

Foss

Time Cycle

Peabody Concervatory Doctoral

Franck

Symphony in D minor

Richmond Philharmonic

Gounod

Funeral March of the Marionette

Baltimore School for the Arts

Grieg

In the Hall of the Mountain King

Baltimore School for the Arts

Haydn

Symphony No. 101 "The Clock" (First Movement)

Baltimore School for the Arts

 

Symphony No. 104 "London"

Richmond Philharmonic

 

Piano Concerto in A Major (First Movement)

Baltimore School for the Arts

Holst

The Planets (Off stage conductor)

The Savannah Symphony Orchestra

 

Saint Paul's Suite, Intermezzo

The Savannah Symphony Orchestra

Humperdinck

Prelude to Hänsel und Gretel

The Savannah Symphony Orchestra

Hummel

Concerto in E-flat for Trumpet and Orchestra

Baltimore School for the Arts

 

Fantasy for Viola and Orchestra

Baltimore School for the Arts

Mahler

Symphony No. 5, "Adagietto"

Peabody Conservatory

Marcello

Oboe Concerto

Baltimore School for the Arts Chamber Orchestra

Mendelssohn

Symphony No. 4, "The Italian"

The Savannah Symphony Orchestra &
Peabody Concert Orchestra

Mozart, L.

Toy Symphony

The Savannah Symphony Orchestra

Mozart, W.A.

Exultate, Jubilate

Peabody Conservatory Players

 

Overture to The Impresario

Baltimore School for the Arts Chamber Players

 

Symphony No. 31 "Paris"

Baltimore School for the Arts Chamber Players

 

Overture to The Magic Flute

Graduate Recital, Peabody Conservatory

 

Overture to The Marriage of Figaro

Baltimore School for the Arts Orchestra

 

Three German Dances, K. 605

The Savannah Symphony Orchestra

 

Bassoon Concerto

Richmond Philharmonic

 

Flute Concerto

Baltimore School for the Arts Chamber Players

Prokofiev

Peter and the Wolf

Aspen Summer Music Festival and School

Rachmaninoff

Concerto No. 2 for Piano and Orchestra

Richmond Philharmonic

Ravel

Mother Goose Suite

Baltimore School for the Arts Orchestra

 

Tzigane

Graduate Recital, Peabody Conservatory

Respighi

Ancient Airs and Dances

The Savannah Symphony Orchestra

Rimsky-Korsakov

"Polonaise" from Christmas Eve

The Savannah Symphony Orchestra

Rossini

Overture to Italian in Algiers

The Savannah Symphony Orchestra

Saint-Saens

Danse Macabre

Baltimore School for the Arts

Schuller

Seven Studies on Paul Klee (Off-stage Conductor)

The Savannah Symphony Orchestra

Shostakovich

Chamber Symphony

Baltimore School for the Arts String Orchestra

 

Festive Overture

Peabody Concert Orchestra

Still, William Grant

Panamanian Dances for String Orchestra

Baltimore School for the Arts Orchestra

Stravinsky

Histoire du Soldat

Peabody Conservatory Players

Tchaikovsky

Piano Concerto No. 1 in B flat minor

Richmond Philharmonic

 

Suite from The Nutcracker

The Savannah Symphony Orchestra

 

Symphony No. 4 (3rd mvt)

The Savannah Symphony Orchestra

 

String Serenade

Baltimore School for the Arts String Orchestra

Telemann

Don Quixote Suite

Baltimore School for the Arts String Orchestra

Torke

Bright Blue Music

Peabody Symphony Orchestra

Verdi

Overture to La forza del destino

Richmond Philharmonic

 

Overture to Nabucco

Baltimore School for the Arts Orchestra

Vivaldi

"Summer" from The Four Seasons

Aspen Summer Music Festival and School

 

"Winter" from The Four Seasons

The Savannah Symphony Orchestra

Wagner

Prelude and Liebestod from Tristan und Isolde

Richmond Philharmonic

Walker

Lyric for Strings

Baltimore School for the Arts String Orchestra

Walton

Façade

Baltimore School for the Arts Faculty Ensemble

Wieniawski

Violin Concerto, No. 2

Baltimore School for the Arts

 
OPERA:

Britten

Albert Herring

Peabody Opera Department Mainstage Production

Donnizetti

Rita

Peabody Student Opera Theater

Mozart, W.A.

Arias & Ensembles from Die Zauberflöte,
The Marriage of Figaro, & Cosi fan Tutte

Baltimore School for the Arts

 

Die Zauberflöte (Backstage/Assistant Conductor)

Baltimore Lyric Opera

Puccini

Gianni Schicchi

Northwestern University Opera Theater

 

Madama Butterfly (Back stage/Assistant Conductor)

Baltimore Lyric Opera

Rossini

The Barber of Seville (Backstage/Assistant Conductor)

Baltimore Lyric Opera

 
POPS:

Akpabot

Three Nigerian Dances

The Savannah Symphony Orchestra

Anderson

Sleighride

The Savannah Symphony Orchestra

 

The Typewriter

The Savannah Symphony Orchestra

Berlin/Bennett

White Christmas

The Savannah Symphony Orchestra

Carmichael

Georgia on My Mind

The Savannah Symphony Orchestra

Chase

Christmas Memories

The Savannah Symphony Orchestra

Demos

The Little Engine

The Savannah Symphony Orchestra

Ellington/Bennett

Duke Ellington! A Medley

The Savannah Symphony Orchestra

Holcombe/Rothrock

Festive Sounds of Hannukah

The Savannah Symphony Orchestra

Loesser/Custer

Music from Guys and Dolls

The Savannah Symphony Orchestra

Mercer

Moon River

The Savannah Symphony Orchestra

Rodgers

Medley from Oklahoma, Sound of Music

The Savannah Symphony Orchestra

 

Music from South Pacific

The Savannah Symphony Orchestra

 

Music from Carousel

Baltimore School for the Arts Orchestra

 
CHORAL - ORCHESTRAL:

Bach, JS

Gott ist mein König, Cantata 71

Boston University Repertory Chorus and Orchestra

 

Saint John Passion, (Selections)

Oregon Bach Festival Orchestra and Chorus

 

Orchestra and Chorus Ich hatte viel Bekümmernis, Cantata 21

Collegium Vocale

Barber

Agnus Dei

Collegium Vocale

Bernstein

Selections from Mass and Candide

Collegium Vocale

Brahms

Alto Rhapsody, Op. 53 and Nänie, Op. 82

Collegium Vocale

Dello Joio

To Saint Cecilia

Collegium Vocale

Händel

Messiah

The Savannah Symphony Orchestra

Haydn

"Lord Nelson" Mass

Collegium Vocale

Mozart, W.A.

Requiem, K. 626

Peabody Conservatory

 

Missa Brevis in F Major, K. 192

Boston University Repertory Chorus & Orchestra

Orff

Carmina Burana

Peabody Conservatory Choruses and Orchestra

Pinkham

Christmas Cantata

Collegium Vocale

Schubert

Mass in G

Savannah Country Day School Chorus & Orchestra

Schütz

Psalm 150

Collegium Vocale

Vaughan-Williams

Serenade to Music

Collegium Vocale

 
WORLD PREMIERES:

Allen, Jason

Tears of Eros

Peabody Symphony Orchestra

Klatzow, Peter

Toward the Light

Peabody Concert Singers

Nelson, Paul

Chamber Symphony

Peabody Conservatory Players

Stone, Stephen

Motet for Chamber Orchestra

Baltimore School for the Arts Chamber Players

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ADDITIONAL WORKS CONDUCTED WITH ORCHESTRA

AS ASSISTANT CONDUCTOR OR IN CONDUCTING WORKSHOPS

Bach, CPE

Sinfonie No. 2 in Bb

Bach, JS

Magnificat

Barber

Adagio for Strings

Bartok

Concerto for Orchestra

Beethoven

Symphonies Nos. 1,2,4,5,6,7,8, & 9, and Mass in C Major

Bernstein

Symphonic Dances from West Side Story, "Kaddish" Symphony

Bizet

Symphony in C Major

Brahms

Symphonies Nos. 1,3,& 4, Variations on a Theme by Haydn, and Ein Deutsches Requiem

Bruckner

Symphony No. 4

Copland

Appalachian Spring
(Versions for Full Orchestra and Thirteen Instruments)

Diamond

Rounds

Debussy

La Mer and Prelude a l'apres-midi d'un faune

Dvořák

Symphonies Nos. 6, 7, & 8, Serenades Opus 22 and 44 and Slavonic Dances, Op. 72

Fauré

Requiem

Goodwin

Paraph for Clarinet and Orchestra

Holst

Saint Paul's Suite

Honneger

King David

Husa

Divertimento for String Orchestra

Janacek

Idyll

Jones

In Retrospect and Elegy

Mendelssohn

"Italian" Symphony

 

Incidental Music to A Midsummer Night's Dream

Milhaud

Creation du Monde

Mozart

Symphonies Nos. 25, 29, 38, 40 & 41, Divertimenti K. 136-138, Piano Concerto in F Major; Marriage of Figaro; Cosi fan Tutte

Mussorgsky

Night on Bald Mountain

Nicolai

Overture to The Merry Wives of Windsor

Poulenc

Gloria

Prokofiev

Symphony No. 5; Romeo and Juliet Suites 2 & 3

Puccini

La Bohème

Rachmaninov

Symphony No. 2

Rossini

Overture to La Gazza Ladra

Saint-Saens

Cello Concerto No. 1, and Introduction and Rondo Capriccioso

Schoenberg

Verklärte Nacht

Schubert

"Unfinished" Symphony, Mass in G Major

Schumann

Symphony No. 2, Op. 61

Sibelius

Romance in C, Violin Concerto, and Finlandia

Strauss, J.

Tales from the Vienna Woods

Strauss, R.

Death and Transfiguration, Don Juan, Till Eulenspiegel, Rosenkavalier Suite, Four Last Songs

Stravinsky

The Rite of Spring, 1919 Firebird Suite, 1947 Petroushka, Dumbarton Oaks, and Octet

Suppe

Overture to Morning, Noon, and Night in Vienna

Tchaikovsky

Symphonies Nos. 4 & 6, Capriccio Italien, Violin Concerto

Vaughan-Williams

English Folk Songs Suite

Verdi

Requiem

Wagner

Siegfried Idyll, Overture to Die Meistersinger , Preludes to Acts 1 & 3 from Lohengrin

Ward

Euphony for Orchestra and Invocation and Toccata

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CURRENT CONDUCTING POSITIONS

Music Director: Richmond Philharmonic, Richmond, VA

8/2004 - present

  • Conduct, rehearse, and program full season for 70-member orchestra

  • Deliver Pre-Concert Lectures

  • Participate in grant writing, fund-raising, and strategic decision making

  • Performance highlights for 2006-2007 season include Tchaikovsky Symphony No. 5, De Falla Three Cornered Hat, and an interactive performance of Saint-Saens Symphony No. 3, "Organ"

 

Director of Orchestras: Baltimore School for the Arts, Baltimore, MD

8/2002 - present

  • Conduct the Orchestras at one of the National Endowment for the Arts-rated "Top five arts schools in the country."

  • Performance highlights for 2006-2007 include Gershwin Rhapsody in Blue, Britten Soirées Musicales, and Dvořák Serenade for Strings

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RECENT CONDUCTING POSITIONS

Resident Conductor: Peabody Conservatory, Baltimore, MD

8/2003 - 6/2006

  • Conductor of main stage opera production of Sondheim A Little Night Music

  • Chorus Master of Baltimore Symphony Orchestra's performance of Adams On the Transmigration of Souls

  • Conducted orchestras and choruses in performances and rehearsals

  • Conducted orchestral and choral readings and recordings of student compositions

  • Taught graduate level choral repertoire course

 

Assistant Conductor: Baltimore Lyric Opera

9/2001 - 6/2004

  • Served as Assistant and Backstage Conductor for performances and rehearsals of Barber of Seville, Die Zauberflöte, and Madame Butterfly

  • Coach principal singers and chorus

 

Associate Conductor: Peabody Opera Theater - Albert Herring

8/2002 - 11/2002

  • Conducted performance and rehearsals of Peabody Conservatory's main-stage of Albert Herring

 

 

Graduate Assistant: Peabody Conservatory Conducting Department

9/2001 - 5/2003

  • Served as Assistant Conductor for Orchestra, Choral, and Opera Programs

  • Conducted rehearsals and performances of Peabody Symphony Orchestra, Choral Ensembles, and Opera Productions

 

 

Music Director and Conductor: Collegium Vocale - Atlanta, Georgia

6/1999 - 6/2001

  • Conducted and programmed music for auditioned 70 member chorus

  • Contracted and conducted professional musicians for performances

  • Recorded & marketed compact discs of performances

  • Participated in grant writing and associated interviews, doubling state funding

 

 

Guest Conductor: Savannah Symphony Orchestra (Georgia)

10/1997 - 6/2001

  • Conducted Lollipops, Outreach, Benefit, and Young People's Concerts

  • Conducted the Savannah Symphony Civic (Youth) Orchestra

  • Presented Pre-Concert Lectures & composed YPC Program Notes

 

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LECTURES/ANNOTATIONS

Pre-concert Lecturer: National Philharmonic & Baltimore Symphony Orchestra

4/2001 - present

Program Annotator: Concert Artists of Baltimore

9/2001 - present

Pre-concert Lecturer, Program Annotator, Youth Concert Narrator:
The Savannah Symphony Orchestra

10/1997 - 6/2001

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EDUCATION

Peabody Conservatory, Baltimore, Maryland

8/2001 - 5/2006

  • Doctor of Musical Arts in Orchestral Conducting

  • Gustav Meier & Markand Thakar, instructors.

  • GPA 3.98; Full-Scholarship Graduate Assistantship

 

 

Boston University, Boston, Massachusetts

8/1995 - 6/1997

  • Masters of Music in Conducting

  • GPA 3.98; Dean's Scholar and Departmental Honoree

 

 

Northwestern University, Evanston, Illinois

9/1991 - 6/1995

  • Bachelor of Music in Vocal Performance

  • GPA 3.86; Dean's List/National Dean's List

 

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RECENT CONDUCTING WORKSHOPS

American Symphony Orchestra League Workshops: Conducting Participant

May 2003 & Feb 2004

  • Robert Spano, Michael Morgan, James Paul, Duain Wolf, Alasdair Neale, Carl St. Clair and Barbara Yahr, instructors

 

 

Concordia Orchestra Conductor's Workshop: Auditor

April 2002

  • Marin Alsop and Gustav Meier, instructors

 

 

Oregon Bach Festival: Conducting Participant

Summer 2000

  • Helmut Rilling and Thomas Summerville, instructors

 

 

Aspen Music Festival and School: Seminar Conductor

Summer 1999

  • Murry Sidlin and Peter Jaffe, instructors

 

 

Conductor's Guild Workshops: Conducting Participant

1/2000 & 3/1999

  • Murry Sidlin, Kenneth Kiesler, Adrian Gnam, and Rossen Milanov, instructors

 

 

Robert Shaw Conducting Workshops: Invited Participant

Fall 1997 & Fall 1998

  • Robert Shaw, instructor

 

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ADDITIONAL MUSICAL TRAINING

Vocal Studies

  • Choral: Atlanta Symphony Orchestra Chorus (1990-2001), Chamber Chorus and Robert Shaw Memorial Singers (1999-2001); Accepted into ASOC as a High School Senior; Oregon Bach Festival Chorus (2001); Conductors: Robert Shaw, Roberto Abbado, John Nelson, Robert King, Robert Spano, Yoel Levi, Donald Runnicles, Ann Howard Jones, Helmut Rilling, and Bernard Labadie.

  • Solo: Conductors include Robert Shaw, James Conlon, and Ann Jones.

  • Opera: Susanna, The Marriage of Figaro; Belinda, Dido and Aeneas; Mlle. Silberklang, The Impresario.

 

Piano Studies

  • 9 years private study prior to college; Accompanying and score reading skills

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AWARDS AND PRIZES

Mark K. Joseph Professional Development Award

2006

Peabody Conservatory Baltimore Music Club Prize in Performance

2003

Peabody Conservatory Career Development Grant

2003

Women's Philharmonic Conducting Scholarship

2003

Peabody Conservatory Full Graduate Assistantship

2001-2003

Finalist for Thelma A. Robinson/Conductor's Guild Award

1999

Aspen Summer Music School Scholarship Recipient

1999

Boston University Dean's Scholar

1995-1997

Pi Kappa Lambda, Dean's List

1991-1997

Chicago National Associate for Teachers of Singing, Finalist/Honorable Mention

1995

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ARTS ADMINISTRATION

Operations and Education Associate: Baltimore Symphony Orchestra

5/2004 - 1/2005

  • Organized and managed operational activities for Baltimore Symphony Orchestra's outdoor summer concert series, including audio engineers, food vendors, county emergency personnel, fireworks, programs, and corporate acknowledgment

  • Developed and organized statewide audition for high school students to receive the opportunity to play Bachianas Brasileiras with Yo Yo Ma and members of the BSO. In such capacity, determined judging guidelines, managed all correspondence with applicants, conducted rehearsals, and assisted with publicity

 

 

Director of Education: Savannah Symphony Orchestra (Georgia)

6/2000 - 5/2001

  • Directed all aspects of education program: 3 ensembles, 4 scholarship programs, in-school demos, young peoples concerts, funding, and school board relations

  • Developed Partners in Learning Advocating Youth, a comprehensive program designed to unify all aspects of the SSO's education department in collaboration with the school board, public school teachers, the symphony board, and orchestra members. Wrote grant proposal for the NEA

  • Wrote grant applications in conjunction with Development Director

  • Served as liaison for Outreach Committee, Education Committee, the SSO Board of Directors, local teachers, and Executive Director

 

 

Interim Head Librarian: Savannah Symphony Orchestra (Georgia)

12/1999 - 2/2000

  • Served as Librarian during critical transitional period for the department

 

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PROFESSIONAL MEMBERSHIPS

American Symphony Orchestra League

Conductor's Guild

American Choral Director's Association

Pi Kappa Lambda

College Music Society

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LANGUAGES

Reading, Speaking, and Aural Knowledge of French and German

Singer's diction in Italian, Latin, French, German, and English

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ADDITIONAL MATERIALS

References, Video Tapes, and Audio Recordings Available upon Request

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"Female Empowerment

"Erin Freeman keeps ego out of conducting the Richmond Philharmonic."

 

Some of Richmond's lawyers, nurses, writers, retired folks, high school students and scientists have one thing in common: the Richmond Philharmonic Orchestra. On Monday nights, they gather at Grace Baptist Church to rehearse under the direction of Erin R. Freeman. "Our members are auditioned volunteers, so we strive to maintain a balance between fun and great performance," Freeman says.

Aaron Ellerbrock and Dave Townsend both inspired the upcoming pops concert entitled "Broadway!" They will solo, not on their usual orchestral instruments, but with their voices, singing variations on such Gershwin classics as "Nice Work If You Can Get It" and "America the Beautiful."

Photo of Erin Freeman

 

Freeman is multitalented too. Trained as a singer, she grew up in Atlanta and was the youngest member of the Atlanta Symphony Orchestra Chorus under the direction of the late Robert Shaw. She realized then that what she loved about music was the ensemble.

Now at the end of her second year with the Philharmonic, Freeman recently received her doctorate of musical arts in orchestral conducting from Peabody Conservatory in Baltimore. That's where she saw an ad for a job opening at the Richmond Philharmonic.

Freeman, along with four finalists, had to run weekly rehearsals and give a concert before she was finally offered the position here. "I really got to know the orchestra and members," she says.

With Freeman as the Philharmonic conductor, and Sarah Hatsuko Hicks as the associate conductor of the Richmond Symphony, Richmond has become a hotbed for the hard-to-find woman orchestra conductor.

"I think conducting requires a certain kind of ego, the kind of ego that women are taught to suppress because we're caregivers," Freeman says. "But you have to be decisive as a conductor and get over the fact that not everyone is going to agree with you."

Freeman seems to have her ego under control. "I like the way what I do is a group effort," she says. "It's not just about me. It's about all people giving of themselves."

Next year, Freeman takes Richmond on a tour of the world. In the fall, the Philharmonic's program will feature Russian composers Rimsky-Korsakov and Rachmaninoff. In the winter, Spanish works will be performed. The spring will bring works by French composers like Debussy and Ravel.

Preconcert lectures and interactive performances will also help the music become more accessible to everyone next year. "For example, in the French program, we'll talk about how the French language influences rhythm in music," Freeman says.

These tactics all work under the mission of the Richmond Philharmonic Orchestra: to promote the art and appreciation of classical orchestral music for audiences of all kinds and give local musicians the opportunity to develop and show off their orchestral talents.

Chantal Panozzo, Style Weekly Richmond, June 14, 2006

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