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photo: John Hart |
Pamela Berlin began directing opera about five years ago, having spent most of her career directing plays. Her opera credits include Hänsel und Gretel for three New York City Opera tours, Madama Butterfly at the Utah and Vancouver Operas, Rigoletto and Lucia di Lammermoor, with Elizabeth Futral, in Vancouver. She has also directed Operetta Internationale for a New York City Opera tour, and The Mikado and H.M.S. Pinafore for the Allentown Summer Musicals.
Recently, she received rave reviews for directing Thomas McCormack's new play, Endpapers, at the Variety Arts Theatre in New York. Returning to opera, she also directed a new production of Carlisle Floyd's Of Mice and Men for Utah Opera and Vancouver Opera, and a new Cold Sassy Tree for Lyric Opera of Kansas City. She will direct this CST production at Utah Opera in May 2003.
Ms. Berlin's primary theatre credits in New York have been productions of new plays including Steel Magnolias which ran for three years off-Broadway, the national tour of Steel Magnolias, The Cemetery Club on Broadway, Crossing Delancey, To Gillian on Her 37th Birthday at Circle in the Square; and other original works at such theatres as the Manhattan Theatre Club, Playwrights Horizons, Second Stage, WPA, Manhattan Class Company, and the Ensemble Studio Theatre.
A graduate of Harvard College, she has participated in the illustrious Sundance Institute's Theatre Workshop. Her regional productions have included A Streetcar Named Desire, South Pacific, True West, The Playboy of the Western World, The Miracle Worker, The Plough and the Stars, Dancing at Lughnasa, Joe egg, and Shirley Valentine at the Kennedy Center, Seattle Rep, Long Wharf Theatre, Pasadena Playhouse, the Pioneer, Huntington, and Virginia Stage Theatres, and the Philadelphia Festival Theatres, to name a few. She has also been a guest artist and teacher at Yale and New York Universities; and Sarah Lawrence, Middlebury, Sweetbriar, and Muhlenberg Colleges.
Pamela Berlin is also an amateur violinist and has played in various symphony and pit orchestras.
| Madama Butterfly (Utah Opera): | |||||||||||||||
| "Stage director Pamela Berlin, known primarily for her work in theater, takes a big step into the opera world with Utah Opera's 'Butterfly.' Ms. Berlin's view of this tear-jerker is poignant, but never maudlin; the characters are well-defined, the staging is often striking - and, familiar though the story may be, the ending packs an undeniable punch." | |||||||||||||||
| THE SALT LAKE TRIBUNE (1993) | |||||||||||||||
| "Indeed, every dramatic detail seems well-considered in the direction of Pamela Berlin, whose experience mostly with spoken drama results in some fresh staging insights. Many scenes are played sitting or kneeling, conveying a feeling of Oriental humility. The people move quietly but intensely, in character. And there are stage pictures, such as the final tableau, which encapsulate the story." | |||||||||||||||
| DESERET NEWS (1993) | |||||||||||||||
| (Vancouver Opera): | |||||||||||||||
| "Director Pamela Berlin's New York theatrical background is clearly evidenced in the piece. The director of the original productions of Steel Magnolias and Crossing Delancey elicits strong dramatic performances from all the cast." | |||||||||||||||
THE VANCOUVER
COURIER (1995)
| | Of Mice and Men (Utah Opera):
| | "The opera consisted of several gripping moments of music-drama
accentuated by brilliant staging (by Pamela Berlin), natural and
committed acting and flawless, expressive singing."
| DESERET
NEWS (1999)
| | Rigoletto (Vancouver Opera):
| | "
Pamela Berlin, a U.S. director with a
reputation for getting balance right."
| VANCOUVER (1999)
| | Lucia di Lammermoor (Vancouver Opera):
| | "
visually the show's a knockout, from the sumptuous
costumes to the swashbuckling swordplay. When director Pamela Berlin
deploys the cast of dozens in the wedding scene, the effect is of a Van
Dyck tableau vivant."
| NORTH SHORE
NEWS (2000)
| |
| Cold Sassy Tree | Utah Opera | May 2003 |
| Cold Sassy Tree | Lyric Opera of Kansas City | 2002 |
| Of Mice and Men | Vancouver Opera | 2002 |
| Lucia di Lammermoor | Vancouver | 2000 |
| Of Mice and Men | Utah Opera | 1999 |
| Rigoletto | Vancouver | 1999 |
| Madama Butterfly | Vancouver Opera | 1995 |
| Utah Opera | 1993 | |
| Hänsel und Gretel | New York City Opera | 1980 |
| Operetta Internationale | New York City Opera | 1982 |
| H.M.S. Pinafore | Allentown Summer Musicals | 1982 |
| The Mikado | Allentown Summer Musicals | 1981 |
| The Cemetery Club | Brooks Atkinson Theatre | 1990 |
| Steel Magnolias | National Tour | 1988 |
| The Adjustment | Jewish Rep | 1998 |
| Til the Rapture Comes | WPA Theatre | 1998 |
| The Red Address | Second Stage | 1997 |
| Wallflowering | HB Playwrights Foundation | 1997 |
| Three in the Back, Two in the Head | Manhattan Class Co. | 1997 |
| Black Ink | Playwrights Horizons | 1996 |
| Pretty Fire | Manhattan Theatre Club | 1994 |
| Snowing at Delphi | WPA Theatre | 1994 |
| The Family of Mann | Second Stage | 1994 |
| Joined at the Head | Manhattan Theatre Club | 1993 |
| Club Soda | WPA Theatre | 1992 |
| Early One Evening at the Rainbow Bar & Grill | WPA Theatre | 1989 |
| Steel Magnolias | Lucille Lortel | 1987 |
| Mama Drama | Ensemble Studio Theatre | 1987 |
| Crossing Delancey | Jewish Rep | 1986 |
| Elm Circle | Playwrights Horizons | 1985 |
| To Gillian on Her 37th Birthday | Ensemble Studio Theatre & Circle in the Square | 1982-3 |
| The Self Begotten | Ensemble Studio Theatre | 1982 |
| Delusions of a Government Witness | Ensemble Studio Theatre | 1981 |
| Ord-way Ames-Gay | Ensemble Studio Theatre | 1981 |
| Tea | Pittsburgh Public Theatre | 2001 |
| South Pacific | Pioneer Theatre | 1999 |
| The Miracle Worker | Pioneer Theatre | 1998 |
| Dancing at Lughnasa | Seattle Rep | 1995 |
| Ruler of My Destiny | Long Wharf Theatre | 1995 |
| Joined at the Head | Pasadena Playhouse | 1994 |
| Shirley Valentine | Stage West | 1994 |
| Zara Spook and Other Lures | George St. Playhouse | 1991 |
| Joe Egg | Portland Stage | 1989 |
| Steel Magnolias | Royal George, Chicago, and Pasadena Playhouse | 1988 |
| Dian Fossey | Virginia Stage | 1988 |
| Jitters | Virginia Stage | 1987 |
| On the Verge | Huntington Theatre | 1986 |
| The Plough and the Stars | Huntington Theatre | 1985 |
| The Playboy of the Western World | Capital Rep | 1984 |
| A Streetcar Named Desire | People's Light & Theatre | 1983 |
| Translations | Capital Rep | 1983 |
| The Subject Animal | People's Light & Theatre | 1982 |
| True West | Capital Rep | 1982 |
| Fast Women | Philadelphia Festival | 1981 |
| Two Hotdogs with Everything | Philadelphia Festival | 1981 |
| The Lady Aiao | Theatre Lab Boston | 1975 |